100 APRILS

The victims and the perpetrators of the mass murder of a million-and-a-half Armenians haunt a dying septuagenarian circa 1982 in Leslie Ayvazian’s edifying, impressively performed, if problematic World Premiere drama 100 Aprils, the latest from Rogue Machine.
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OUR VERY OWN CARLIN MCCULLOUGH

Amanda Peet takes a trio of characters we’ve seen before–a parent, a prodigiously talented child, and a dedicated coach–and weaves them together into the cliché-defying Our Very Own Carlin McCullough, as riveting a World Premiere as I’ve seen at the Geffen Playhouse, or just about anywhere else for that matter.
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SKELETON CREW

If Arthur Miller had written a play about auto workers facing the personal and professional consequences of a possible plant closure, it might have been Skeleton Crew, which is about the highest praise I can bestow upon Dominique Morisseau’s powerful blue-collar drama, now making a breathtakingly designed, directed, and performed Geffen Playhouse debut.

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TAR

L.A.’s fabled Bimini Hot Springs and Sanitarium (1903-1956) provide the backdrop for Tom Jacobson’s The Ballad of Bimini Baths trilogy, the prolific Angelino playwright’s most ambitious project to date, and if the Playwrights’ Arena World Premiere Tar is any indication of what Plunge and Mexican Day hold in store, audiences are in for an exhilarating, elucidating three-part treat.
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ONE FLEW OVER THE CUCKOO’S NEST

The audience is locked up side by side with the loonies in After Hours Theatre Company’s über-immersive One Flew Over The Cuckoo’s Nest, and if Dale Wasserman’s stage adaptation of Ken Kessey’s novel isn’t ideally served by this you-are-there approach or the production’s younger-than-written crazies, One Flew Over The Cuckoo’s Nest The Experience is a theatrical adventure you won’t want to miss.
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HOSTAGE

A Wisconsin mother visits her captive son at the height of the Iran Hostage Crisis in Michelle Kholos Brooks’ compelling, eye-opening, fact-based World Premiere drama Hostage, the latest from Skylight Theatre Company.
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SPRING AWAKENING

A century before Spring Awakening The Musical took Broadway by storm (and won eight Tony awards in the bargain), German playwright Frank Wedekind shocked and outraged audiences on both sides of the Atlantic with Frühlings Erwachen, whose 2007 Jonathan Franzen translation proves a sensational UCLA Department Of Theater showcase for its director, designers, and cast.
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WOOD BOY DOG FISH

Wood Boy Dog Fish, Rogue Artists Ensemble’s deliciously twisted take on Carlo Collodi’s Pinocchio has moved uptown and upscale from the Bootleg to Toluca Lake, terrific news for those who like their fairy tales dark and dirty and theatrically magical.
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