26 PEBBLES
Friday, October 5th, 2018Playwright Eric Ulloa puts a personal face on fourth-deadliest mass shooting by a single person in U.S. history and the deadliest ever at a high school or grade school in his riveting, touching, inspiring 26 Pebbles, Beverly Hills’ Theatre 40 at its most risk-taking and cutting-edge.
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ROPE
Monday, October 1st, 2018Cohabitating young Londoners strangle a university classmate to death, hide the body in a living room trunk, then welcome the victim’s father, his aunt, a pair of fellow students, and the teacher whose beliefs inspired their cold-blooded act for a dinner soiree in Patrick Hamilton’s Rope, easily the darkest. deadliest, and most daring offering in Actors Co-op’s 27-year history.
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A PICTURE OF DORIAN GRAY
Sunday, September 30th, 2018A Picture Of Dorian Gray, Michael Michetti’s spectacular take on the Oscar Wilde classic, is back, twelve years after its Theatre @ Boston Court debut, stunningly restaged by its director-adapter and easily the most provocative, boundary-pushing production ever to ignite the A Noise Within stage.
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THE UNTRANSLATABLE SECRETS OF NIKKI CORONA
Friday, September 14th, 2018An intriguing premise and promising first act are sabotaged by a ridiculous post-intermission trek to the hereafter that bodes little to no regional theater afterlife for José Rivera’s The Untranslatable Secrets Of Nikki Corona, a Jo Bonney-directed Geffen Playhouse World Premiere.
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THE DIARY OF ANNE FRANK
Saturday, September 8th, 2018Director Stan Zimmerman’s high-concept, Latino-cast The Diary Of Anne Frank scores points for its thought-provoking premise. In execution, however, it proves a mixed bag at best.
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SWEAT
Friday, September 7th, 2018Playwright Lynn Nottage gives voice to blue-collar America in her Pulitzer Prize-winning Sweat, now making a gut-punching Los Angeles debut at the Mark Taper Forum, a suspenseful, insightful look at an electorate so disillusioned by their failed American Dreams that they ended up doing the unthinkable.
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I GO SOMEWHERE ELSE
Monday, August 27th, 2018An emotionally abusive childhood provides the backstory to the celebration of survival that is Inda Craig-Galván’s memory play I Go Somewhere Else, a playwrights’ Arena World Premiere as superbly acted as it is strikingly designed. If only it were easier to figure out who’s who and what’s what.
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THE CRUCIBLE
Monday, August 13th, 2018The Topanga hills prove the ideal setting for Theatricum Botanicum’s gut-punchingly powerful revival of Arthur Miller’s The Crucible, the first of the six Crucibles I’ve seen to get everything right.
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