DOPE QUEENS
Saturday, August 17th, 2019Dope Queens, Grafton Doyle’s seamy dissection of the go-nowhere lives of three drug-addicted, fresh-out-of-prison LGBTQ street walkers (two of them gender non-conforming POCs and one a GWM) is not just a major downer, it’s an overwrought, all-over-the-place two-acter that overstays its welcome by at least half an hour.
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AN ENEMY OF THE PEOPLE
Monday, August 5th, 2019Ellen Geer updates Henrik Ibsen’s An Enemy Of The People to 1980 and Americanizes it to South Fork, South Carolina in a problematic World Premiere adaptation that would probably work better if its Theatricum Botanicum cast didn’t have a week off between each performance.
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APPLE SEASON
Tuesday, July 23rd, 2019Childhood abuse survivors return to the Oregon farm they once called home in E.M. Lewis’s compact dramatic gem Apple Season, a National New Play Network Rolling World Premiere now riveting audiences at Atwater Village Theatre.
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GOOD BOYS
Monday, July 1st, 2019An explicit sex tape involving a prep school jock and a young woman decidedly not his girlfriend sets off a chain of events that will forever change the lives of one entitled Washington DC family in Roberto Aguirre-Sacasa’s suspenseful, provocative Good Boys, now riveting audiences at Pasadena Playhouse.
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ANNE, A NEW PLAY
Monday, June 17th, 2019Anne Frank is alive and well and living in Paris when first we meet her in Anne, A New Play, Nick Blaemire’s trimmed-down adaptation of a 2014 Dutch-language hit whose powerful U.S. Premiere more than merits a visit to the Museum Of Tolerance.
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LADIES
Friday, June 14th, 2019An all-female creative team join forces to bring a quartet of mid-18th-century pre-feminist Englishwomen to sporadically intriguing but too often meandering 21st-century life in Kit Steinkellner’s Ladies, a Boston Court Pasadena World Premiere.
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SUCKER PUNCH
Wednesday, June 5th, 2019South London accents either too thick to be understood or virtually non-existent along with loads of British slang prove detrimental to Coeurage Theatre Company’s site-specific West Coast Premiere of Roy Williams’ Sucker Punch. So do view-blocking sight lines for certain audience members squeezed into the Tiger Boxing Gym just off Melrose.
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THE END OF BEAUTY
Tuesday, June 4th, 2019Musings on art and beauty serve as an intellectual prelude to a provocative look at a marriage in crisis in Cory Hinkle’s The End Of Beauty, the latest Playwrights’ Arena World Premiere.
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