THE LAST, BEST SMALL TOWN


Two families living side by side in smalltown America, their teenage offspring head-over-heels in love, and an all-seeing, all-knowing stage manager serving as our narrator. Sound familiar?

Only the town in question isn’t Grover’s Corners, New Hampshire. It’s Fillmore, California, the families are the Millers and the Gonzalezes, and the year is 2005 in John Guerra’s World Premiere wonder The Last, Best Small Town, now captivating audiences at Will Geer’s Theatricum Botanicum.
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IN MY MIND’S EYE

A visually impaired middle-schooler comes of age in The Group Rep’s 35th-anniversary revival of Doug Haverty’s engaging dramedy In My Mind’s Eye.
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WEST ADAMS

If your idea of a good time is spending eighty minutes with a bunch of downright disagreeable individuals doing some downright despicable deeds, you might want to check out West Adams, Skylight Theatre’s self-described “dark comedy about race, class, and bouncy houses.” Others might want to stick to their own neighborhood.
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NOWHERE ON THE BORDER

Playwright Carlos Lacámara puts a personal face on the hot-button issue of illegal immigration in Nowhere On The Border, a Road Theatre Company drama that works best when focusing on its odd couple of 50something adversaries.
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EARTHQUAKES IN LONDON

Epic in its scope and timeframe, intimate in its intersecting family dramas, bleak in its depiction of a world doomed by climate change, and as thrillingly theatrical as stage storytelling gets, Rogue Machine’s West Coast Premiere of Mike Bartlett’s Earthquakes In London is sure to be one of the season’s most talked-about productions.
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FIREFLIES

An oversexed Martin Luther King-like preacher and his overstressed wife find the cracks in their marriage increasingly tough to overlook in Fireflies, Donja R. Love’s overwrought Civil Rights-era two-hander whose melodramatic overload proves distressingly underwhelming.
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FOR THE LOYAL

Provocative, edge-of-your-seat, and ripped from today’s headlines, Lee Blessing’s For The Loyal makes its compelling West Coast debut at Sixty-Six Theater Co.
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KEY LARGO

The Geffen Playhouse reboots a 1948 black-and-white movie classic live in living color in Jeffrey Hatcher and Andy Garcia’s rip-roaring World Premiere stage adaptation of the Bogie-&-Bacall suspense thriller Key Largo, directed with abundant flair by Tony winner Doug Hughes.
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