WASHER/DRYER

Sometimes all it takes to turn a cramped, overpriced, single-occupancy big-city condo into a must-own Manhattan co-op is something as seemingly trivial as a washer/dryer, which is why newlywed Sonya will do anything to maintain ownership of her co-op in Nandita Shenoy’s terrific World Premiere Comedy Washer/Dryer—even if it means pretending that her handsome hubby is merely a frequent sleep-over chum.
(read more)

THE NIGHT ALIVE

Superb performances, a brilliant production design, plenty of chuckles (with a few gasps thrown in for good measure), and characters as weirdly idiosyncratic as any I’ve seen onstage spark the Geffen Playhouse’s West Coast Premiere of Conor McPherson’s The Night Alive. As to whether the play itself is worthy of the unqualified superlatives that out-of-town critics have showered upon McPherson’s oh-so quirky comedy, well, I’ll leave that up to you to decide.
(read more)

PRIDE AND PREJUDICE

Jane Austen’s Pride And Prejudice has rarely if ever been more deliciously, delightfully entertaining than Actors Co-op’s irresistible new staging of Helen Jerome’s 1936 adaptation of Miss Austen’s two-centuries-old classic.
(read more)

LEND ME A TENOR

Glendale Centre Theatre follows this past summer’s staging of Ken Ludwig’s Leading Ladies with the master playwright’s 1986 smash Lend Me A Tenor, a revival that hits all the right comedic notes as performed by an expert cast under James Castle Stevens’ snappy direction.
(read more)

POSSUM CARCASS

The love triangles of Anton Chekhov’s The Seagull return to wild-and-crazy 21st-century life in David Bucci’s Possum Carcass, the 120-year-old Chekhov classic retold as graphic novel … and the latest from the always intriguing Theatre Of NOTE.
(read more)

THE GAYEST CHRISTMAS PAGEANT EVER!

The Gayest Christmas Pageant Ever! is back for the holidays, tidings of good joy for anyone in search of outrageously funny end-of-year cheer out North Hollywood way.
(read more)

HELLCAB

When Jean-Paul Sartre wrote “L’enfer, c’est les autres,” the “others” he was referring to could easily have been the passengers who make a Chicago cab driver’s life a living enfer in Will Kern’s hilarious (or should that be “hellarious”) Hellcab, back at the Elephant Theatre for the first time since its smash 2005 run with its director and cab-driving star once again along for the ride.
(read more)

A SPIDER-MAN CHRISTMAS: A SATIRE

RECOMMENDED

Spider-Man meets It’s A Wonderful Life (with a bit of Charles Dickens’ A Christmas Carol thrown in for good holiday measure) in Cameron Parker’s A Spider-Man Christmas: A Satire, and if this latest from Mosaic Lizard Theater is a bit rough around the edges and not all performances up to those of its more highly-trained and experienced cast members, it does one thing to perfection. It keeps its audiences in stitches throughout. (Make that red-blue-&-black stitches, to match Spidey’s superhero garb.)
(read more)

« Older Entries Newer Entries » « Older Entries Newer Entries »