PSYCHO BEACH PARTY

Alfred Hitchcock meets Beach Blanket Bingo as only Tony-nominated playwright Charles Busch can mash the two of them together in Theatre Out’s deliciously over-the-top Psycho Beach Party, directed with flamboyant flair by Tito Ortiz.
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ONE MAN, TWO GUVNORS

The year’s most brilliant physical-comedy performance is but one of many reasons not to miss the West Coast Premiere of the West End/Broadway smash One Man, Two Guvnors, now inspiring more laughs per second than any play I can recall seeing at South Coast Repertory.
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THESE PAPER BULLETS!

The Bard meets The Fab Four in Rolin Jones’ exuberantly entertaining These Paper Bullets!, now getting its West Coast Premiere at the Geffen Playhouse, and while audience members lacking either a soft spot for iambic pentameter or a familiarity with Beatles legend might just end up tuning out, at least during the show’s overlong first act, by the time Act Two rolls around with its Monty-Python-meets-Benny-Hill delights (and with Billie Joe Armstrong’s songs the absolute next best thing to Lennon-&-McCartney circa 1964), it’s hard to imagine anyone not ultimately falling under These Paper Bullets!’ magic spell.
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CHINGLISH

East West Players continues its two-year-long 50th-anniversary celebration with Chinglish, David Henry Hwang’s hilarious, perceptive, eye-opening look at Chinese-American relationships (including one of a particularly romantic/sexual nature), a Los Angeles Premiere that could well prove one of EWP’s most popular productions ever. It’s certainly one of the finest I’ve seen onstage at the David Henry Hwang Theater.
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REAL WOMEN HAVE CURVES

You don’t have to be Hispanic to fall in love with the full-figured Latinas celebrated in Josefina López’s Real Women Have Curves, nor do you have to travel to New York to see the crowd-pleasing comedy’s Broadway-caliber revival now playing at the historic Pasadena Playhouse.
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SONDHEIM UNSCRIPTED

The improvisational geniuses who call themselves Impro Theatre are back at the Falcon with another of their surefire crowd-pleasers, Sondheim UnScripted, confectioning a fabulously original “Stephen Sondheim musical” each and every time they take the stage.
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CAFÉ SOCIETY

Zaniness reigns supreme in Peter Lefcourt’s screwball Café Society, now getting a terrifically performed, imaginatively directed, cleverly designed World Premiere at West L.A.’s Odyssey Theatre, the ever so “Westside” laughfest marred only by a jarring 11th-hour tonal shift that bears rethinking.
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LUKA’S ROOM

Leave it to Rob Mersola, the playwright who gave audiences Backseats & Bathroom Stalls and Dirty Filthy Love Story, to subvert the teenage coming-of-age tale in the most outrageously unexpected of ways in Luka’s Room, the latest Rogue Machine World Premiere and sure to be one of this summer’s most buzzed-about productions.
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