THE HEIR APPARENT

As he did with Corneille’s The Liar a few years back, playwright David Ives once again works his theatrical magique on a centuries-old comédie française in The Heir Apparent, Ives’ 2014 off-Broadway adaptation of Jean-François Regnard’s 1706 farcical French bonbon Le Légataire Universelle, now delighting audiences in its Los Angeles Premiere at Long Beach’s International City Theatre.
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BAD JEWS

To the list of female comedy leads that any actress would kill to play (and win awards for), a list that includes Born Yesterday’s Billie Dawn, Twentieth Century’s Lily Garland, and Lost In Yonkers’ Bella Kurnitz, you can now add the name Daphna Feygenbaum, a role that Molly Ephraim knocks out of the ball park—and then some—in the Geffen Playhouse’s West Coast Premiere of Joshua Harmon’s Bad Jews, a play as hilarious as it is brilliant, and one you’ll be talking about for quite some time to come.
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THE TROUBLE WE COME FROM

News of his girlfriend’s pregnancy sends a 30something writer on a 24-hour journey of self-discovery in Scott Caan’s World Premiere comedy The Trouble We Come From, the actor-writer’s smart, funny companion piece to his previous Falcon Theatre hit No Way Around But Through.
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THE IDIOT BOX

If you could live your life in sitcom land and just forget about war, poverty, homelessness, and the complexities of human sexuality, would you?

Playwright Michael Elyanow poses this question in his very funny, very smart The Idiot Box, back for only its second L.A. production ever, and a highly entertaining one at that as staged by Theatre 68 at the NoHo Arts Center.
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ENTROPY

It cost Warner Brothers a hundred million dollars to make Gravity. It’s probably cost Theatre Of NOTE one or two ten-thousandths of that to stage Entropy, and believe me, the latest from NOTE is a lot more fun than that Oscar-winning Alfonso Cuarón flick. A whole lot more fun.
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PETER AND THE STARCATCHER

Imagination reigns supreme as South Coast Repertory presents Peter And The Starcatcher, fabulous news indeed for those who may have missed the play’s Broadway National Tour or for those like this reviewer who simply couldn’t resist a second chance to spend a couple of hours with Peter Pan in his pre-Neverland days.
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MUD BLUE SKY

If three middle-aged flight attendants spending the night with a 17-year-old high school boy in a Chicago hotel room sounds like the setup for a 1960s sex farce à la Boeing-Boeing, think again. Marisa Wegrzyn’s Mud Blue Sky, the latest from The Road Theatre Company, turns out to be not just a laugh-out-loud comedy but a touching look at friendship, parenting, life choices, sisterhood, loneliness, growing older, and coming of age in the 21st Century.
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SAMSARA

A 30something NoCal couple hire a surrogate in faraway India to give birth to the child neither is biologically capable of conceiving in Lauren Yee’s imaginative, funny, at times overly cutesy, but ultimately quite moving Samsara, now getting a splendidly acted and directed West Coast Premiere at Anaheim Hills’ Chance Theater.
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