ROSENCRANTZ AND GUILDENSTERN ARE DEAD

Tom Stoppard ponders the absurdity of life and the inevitability of death in his existentialist comedy classic Rosencrantz And Guildenstern Are Dead, the thrillingly staged if occasionally inscrutable latest from A Noise Within.
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REAL WOMEN HAVE CURVES

Real women not only have curves, they join forces to bring audiences a female-fueled revival of Josefina López’s Real Women Have Curves, a Garry Marshall Theatre crowd-pleaser if there ever was one.
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VANYA AND SONIA AND MASHA AND SPIKE

Squabbling siblings have rarely inspired as much laughter as they do in Christopher Durang’s scrumdiddlyumptious 2013 Best Play Tony winner Vanya And Sonia And Masha And Spike, now being given a bang-up big-stage production at South Coast Repertory.
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AMERICAN HERO

Times are tough for the heroic “sandwich artists” of Bess Wohl’s absurdist, existentialist, surrealist, and non-stop hilarious American Hero, the latest Los Angeles Premiere from IAMA Theatre Company.
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SHOWPONY

Workplace tensions explode when the acquisition of an African-American-owned company by a major New York advertising agency adds racial sparks to already rampant sexism in Judith Leora’s scathingly funny World Premiere comedy Showpony, the latest from Burbank’s Victory Theatre Center.
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THE RESCUED

Abuse survivors living in a group home would seem unlikely to inspire a comedy as sweet and touching and funny as Julie Marie Myatt’s The Rescued, but the Road Theatre Company’s latest World Premiere proves an utterly charming if still-a-bit-in-need-of-a polish gem.
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SENSE AND SENSIBILITY

The Dashwood sisters fall truly, madly, deeply in love once again as South Coast Repertory treats Jane Austen fans to Sense And Sensibility, its daringly cast and deliciously performed 2018-2019 season opener.
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NATIVE GARDENS

Racism, sexism, ageism, and a fence add up to one of the year’s funniest—and most button-pushing—comedies in Karen Zacarías’s Native Gardens, now getting its most star-studded production to date at the Pasadena Playhouse.
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