AS GOOD AS GOLD

Theatre 40 opens its 2021-2022 season with Marilyn Anderson’s As Good As Gold, a Hollywood satire not nearly as good as the solid gold cast who do their darnedest to make it shine.
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OUR MAN IN SANTIAGO


The CIA enlists the most improbable of assassins to rid Chile of its democratically elected president in Mark Wilding’s edge-of-your-seat hilarious Our Man In Santiago, an incisively directed, pitch-perfectly performed World Premiere from Theatre West.
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DURANG!

Christopher Durang reveals his trademark outlandishness times four at Studio/Stage this month in Mmmkay Productions and Crown City Theatre Company’s Durang!, a quartet wild and crazy Hollywood Fringe Festival one-acts, directed with pizzazz by Kristin Towers-Rowles.
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WAITING

Live performances have returned to the Atwater Village Theatre for the first time in over sixteen months, and though I’m not quite sure what to make of Daniel A. Olivas’s absurdist comedy Waiting, at the very least the latest Playwrights’ Arena World Premiere serves as a taste of what lies ahead.
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THE $5 SHAKESPEARE COMPANY

Aficionados of L.A.’s intimate theater scene will find themselves in 99-seat heaven at The $5 Shakespeare Company, Matthew Leavitt’s ever so clever, ever so delightful World Premiere backstage comedy gem.
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IT’S ONLY A PLAY

If you love live theater and the people who make it, you will absolutely adore Morgan-Wixson Theatre’s delectable latest, and even if you don’t know Ben Brantley from Ben Franklin, you’ll have a smashingly good time at Terrence McNally’s It’s Only A Play.
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DYSFUNCTIONAL FAMILY CHRISTMAS

Production values are low but the laughter quotient is high in writer-director Paul Storiale’s Dysfunctional Family Christmas, 70 minutes of wacky 1980s sitcom-style fun.
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SANTASIA – A HOLIDAY COMEDY

L.A.’s most popular year-end comedy extravaganza since the year 2000, Santasia – A Holiday Comedy is back for even more December magic in 2019, making this year’s collection of wacky Benny Hill-like skits, SNL-ready videos, Broadway-parodying production numbers, nostalgic recollections of Christmases past, and a whole lot of drag (rated R-for-language and H-for-heart) even more of a must-see.
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