THE PLAY’S THE THING

There’s a reason why so-called “old chestnuts” are rarely revived, evidence of which can be found in Theatre 40’s mostly sluggish 2022 revival of Ferenc Molnar’s 1920s chestnut The Play’s The Thing.
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GOD OF CARNAGE


Yasmina Reza’s God Of Carnage has returned to Los Angeles eleven years after it broke Ahmanson box office records, this time round at the Odyssey Theatre, an intimate setting that better suits Reza’s hilariously edgy comedy of manners (and lack thereof), terrifically performed by a crackerjack ensemble of four.
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BUYER & CELLAR


Mike Millan and Barbra Streisand share the Broadwater Second Stage in Jonathan Tolins’ deliciously dishy Buyer & Cellar, Celebration Theatre’s long awaited return to live-and-in-person programming.
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THE PLAY YOU WANT


Times may have changed since actors like Lupe Velez, Ricardo Montalbán, and Rita Moreno found themselves pigeonholed into one stereotypical role after another, but perhaps not as much as we’d like to believe, or at least not according to the The Play You Want, Bernardo Cubría’s scathingly funny look at the compromises a writer named Bernardo Cubría must make to make it to Broadway.
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IN THE NEXT ROOM (or the vibrator play)


Open Fist Theatre Company scores another hit with Sarah Ruhl,s In The Next Room (or the vibrator play), the sparklingly provocative, unexpectedly touching 2010 Best Play Tony nominee that gave the award-winning playwright her first Broadway credit.
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HOODED, OR BEING BLACK FOR DUMMIES


Playwright Tearrance Arvelle Chisholm mixes absurdist comedy, farce, and surrealist fantasy sequences to intoxicating effect in the Echo Theater Company Los Angeles Premiere of Hooded, or Being Black for Dummies, a play every bit as provocative as its title.
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CELESTIAL EVENTS


Nineteen IAMA Theatre Company members (five writers, two directors, and twelve actors) have joined creative forces to celebrate IAMA’s return to live-and-in-person productions with Celestial Events, an engaging, entertaining World Premiere takeoff on such star-studded Hollywood fare as Valentine’s Day and Crazy, Stupid, Love.
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KEN LUDWIG’S THE GAME’S AFOOT; OR HOLMES FOR THE HOLIDAYS


Following their all-around fabulous London Suite, The Group Rep makes it two in a row with a terrifically directed/acted revival of the Ken Ludwig-meets-Conan Doyle-meets-Agatha Christie farce The Game’s Afoot; Or Holmes For The Holidays, a particularly tasty treat for audiences in search of December fare that’s not Charles Dickens’ A Christmas Carol.
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