TUNE IN

Playwright Carlos Lacámara tackles university politics, mental illness, psychedelic drug therapy, childhood trauma, and women in academia in the early 1960s, stirs in at least one soap opera-worthy plot twist, and garners more than a few laughs along the way in Tune In, another fabulous Theatre Of NOTE World Premiere.

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REEL TO REEL

Ever notice how the minutes can go by lickety-split or seem to move at a snail’s pace depending who you’re with? In the case of the octogenarian couple whose 55-plus-year relationship playwright John Kolvenbach has us spending an hour and a half with in his 2018 four-actor two-hander Reel To Reel, I found the latter to be the case.
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THE RESERVOIR


Two talented Jakes make stunning Geffen Playhouse debuts in The Reservoir, Jake Brasch’s hilarious, heartbreaking, ultimately hopeful look at alcoholism and Alzheimer’s that has rising star Jake Horowitz standing in for the playwright in one of the year’s most captivating performances.
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NICE GIRL


What’s a Nice Girl to do when she finds herself still living at home with her mother and rapidly approaching the age when singledom turns into spinsterhood? That’s the dilemma Jo faces in Melissa Ross’s tangy slice-of-1980s-life now captivating audiences on Rogue Machine’s uber-intimate Henry Murray Stage.
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A DOLL’S HOUSE, PART 2


It’s a whole new A Doll’s House, Part 2 at the Pasadena Playhouse with director Jennifer Chang and an ab-fab foursome of TV/stage stars bringing to scintillating life comedic elements left mostly unexplored in the two previous productions I’ve seen of Lucas Hnath’s 2017 Broadway hit.
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FROU-FROU: A MENAGERIE OF SORTS


If Tennessee Williams were alive today, he might have written Frou-Frou: A Menagerie of Sorts, John Anthony Loffredo’s deliciously daring queer riff on Williams’ A Glass Menagerie, with a little bit of A Streetcar Named Desire testosterone (and some extended full-frontal male nudity) thrown in for seductive measure.
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EVANSTON SALT COSTS CLIMBING

Characters whose eccentricities are carried to the extreme and a plot whose raison d’être escapes me are two reasons why Rogue Machine Theatre’s West Coast Premiere of Will Albery’s Evanston Salt Costs Climbing proves a major disappointment from the playwright and company who gave us one of 2023’s most critically acclaimed box office successes with Heroes Of The Fourth Turning.
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SLEEPING GIANT


All hell breaks loose when wedding-proposal fireworks unleash monstrous horrors on a lakeside community in Sleeping Giant, the latest dark comedy treat from macabre master Steve Yockey.
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