NOTHING IS THE SAME
Tuesday, January 30th, 2018
Nothing Is The Same from the moment four 1941 Hawaiian preteens witness the Japanese attack on Pearl Harbor one sunny December morning in the latest audience-pleasing entry in Sierra Madre Playhouse’s annual Field Trip Series, staged on school days to local kids and on weekends to general audiences of all ages.
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PICK OF THE VINE 2018
Monday, January 15th, 2018
Little Fish Theatre opens its 2018 season with its 16th-annual Pick Of The Vine: This Year’s Best Short Plays, the top 1.78% of a whopping 505 submissions, 9 mini-plays adding up to 1 terrifically acted, directed, and designed evening of theater at its most entertainingly eclectic.
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BUGABOO & THE SILENT ONE
Tuesday, January 9th, 2018
Marja-Lewis Ryan puts her own distinctive stamp on Women Behind Bars in the powerful Bugaboo & The Silent One, the playwright-director’s fourth and latest World Premiere collaboration with the astonishing Heidi Sulzman.
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MIRACLE ON 34TH STREET
Saturday, December 16th, 2017Pasadena Playhouse fills this year’s holiday slot with a “live radio play” adaptation of the 1947 movie classic Miracle On 34th Street, a charmer, make no mistake, but more stocking stuffer than a full-fledged Christmas gift to follow the back-to-back brilliance of Our Town and King Charles III.
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reasons to be pretty
Monday, December 4th, 2017
Neil LaBute dissects male-female relationships as only he can—savagely, but not without humor and maybe even a sliver of hope—in reasons to be pretty, his 2008 button-pusher now being given a dynamically directed, sensationally acted intimate revival at Hollywood’s Lounge Theatre.
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DRIVING MISS DAISY
Saturday, November 25th, 2017
A revelatory Donna Mills lights up the Colony Theatre stage as the title character in Driving Miss Daisy, Alfred Uhry’s Pulitzer Prize-winning look back in time at an aging Southern Jewish widow and the African-American driver foisted upon her by her adult son in the years just preceding the Civil Rights Movement.
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LITTLE WOMEN [a multicultural transposition]
Tuesday, November 7th, 2017
If Meg, Jo, Beth, and Amy March had come of age in post-WWII L.A. as the Mayeda sisters, offspring of a Japanese-American father and a Chinese-American mother, Louisa Mae Alcott’s classic novel might look and sound just like Little Women [a multicultural transposition], Velina Hasu Houston’s unabashedly G-rated World Premiere rewrite that had me in its spell from ebullient start to heartwarming finish.
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REDLINE
Sunday, October 29th, 2017
A decades-estranged father and son meet for the first time since a car crash ripped their family to shreds in Christian Durso’s gripping, emotionally-charged Redline, an IAMA Theatre Company World Premiere that held me in its grip from the bombshell revelation that sets it in motion to its life-and-death final seconds.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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