DANCING AT LUGHNASA

Brian Friel lovers could not ask for a finer production of his 1992 Best Play Tony winner Dancing At Lughnasa than Open Fist Theatre Company’s 2019 revival. Non-devotees might find their attention wandering during its long, chitchat-filled first act, but once Friel’s memory play takes fire post-intermission, the latest from Open Fist more than merits curtain-call cheers.
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STRONG ARM

Taking as his inspiration Anton Chekhov’s The Seagull, playwright Wyn Moreno has created a contemporary dysfunctional family dramedy that stands tall on its own merits in Strong Arm, the World Premiere latest from Orange County’s The Wayward Artist.
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THREADS

Love … and the fragility of life … tie together Jeff Locker’s serio-comedic Threads, an evening of theatrical shorts that doubles as the 2019 Summer Showcase for seventeen talented professional actors studying at Anthony Meindl’s Actor Workshop.
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READY STEADY YETI GO

Sixth-graders reenact a local hate crime for reasons that don’t particularly make sense in David Jacobi’s Ready Steady Yeti Go, a talent showcase for its gifted 20something ensemble that would work even better with age-appropriate casting.
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MYSTERIOUS CIRCUMSTANCES

Truth is indeed stranger than fiction in Michael Mitnick’s time-traveling, mind-tripping look at the Mysterious Circumstances surrounding the still unsolved death of the world’s foremost Sherlock Holmes scholar.
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MAMA METAL

Playwright Sigrid Gilmer deals with a lifetime’s worth of mother-daughter issues in the most theatrically adventurous of ways in Mama Metal, the head-banging latest from IAMA Theatre Company.
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DANIEL’S HUSBAND

Daniel and Mitchell have been together for seven years. One of them wants to tie the knot. The other does not. And that’s about all you need to know before making a beeline for the Fountain Theatre to savor Michael McKeever’s laugh-out-loud-then-get-out-your-hankies stunner Daniel’s Husband.
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AT THE TABLE

Booze and pot lower inhibitions, loosen tongues, and reveal cracks in the fifteen-year-long friendship of a quartet of 30somethings in Michael Perlman’s At The Table, a Road Theatre Company Los Angeles Premiere that proves as edge-of-your-seat compelling as it is provocatively button-pushing.
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