GLORIA


Everyone’s out for their fifteen minutes of fame in Branden Jacobs-Jenkins’ ripped-from-today’s-headlines gut-puncher Gloria, now being given an electrifying Orange County premiere at Chance Theater.
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TROUBLE IN MIND

A stunning Kimi Walker delivers what may well be a career-best lead performance in Actors Co-op’s mostly successful revival of pioneer African-American playwright Alice Childress’s groundbreaking Trouble In Mind.
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A GOING AWAY PARTY PLAY

Keyanna Khatiblou pays tribute to her Iranian father and English mother while recounting the events leading up to and after the Iranian Revolution of 1979 amidst a party attended by four of her closest friends in A Going Away Party Play, and if the playwright’s approach is too all-over-the-place to be entirely successful, there is still much to recommend in this Boston Court Pasadena World Premiere.
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IF I NEEDED SOMEONE


Drunken hookups aren’t what they used to be, at least according to Neil LaBute in his undeniably provocative, bitingly funny, and potentially button-pushing World Premiere two-hander If I Needed Someone at Santa Monica’s City Garage Theatre.
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THE PITCH

A widowed single father finds himself in hot water with the IRS soon after embarking on a phone sales job he seems woefully ill suited for in Tom Alper’s overly padded but mostly entertaining The Pitch, an Odyssey Theatre visiting production.
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MY WHITE HUSBAND

Despite a promising setup, Leviticus Jelks’s My White Husband turns out to be an awkward mix of 1950s sitcom spoofery, marital discord dramatics, sex comedy raunch, network TV politics, and Black Lives Matter activism.
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WHAT THE CONSTITUTION MEANS TO ME

Musical theater star Kelley Dorney captivates without singing a note in What The Constitution Means To Me, Heidi Schreck’s initially entertaining but ultimately long-winded lecture on the U.S. Constitution’s failure to protect the rights of women, people of color, immigrants, Native Americans, and members of the LGBTQ+ community.
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H*TLER’S TASTERS


Playwright Michelle Kholos Brooks finds laughter even in the darkest of situations in her provocatively titled, fact-based H*tler’s Tasters, the latest uber-intimate “Upstairs at the Matrix” Rogue Machine hit.
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