THE CIRCLE

Issues of familia, cultura, and política come to a head over the course of one tumultuous weekend in Stacey Martino Romero’s powerful if overlong World Premiere dramedy The Circle, now playing at the Greenway Court Theatre.

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LIFELINE


A suicide hotline center provides the backdrop for Robert Axelrod’s Lifeline, a Road Theatre Company World Premiere dramedy as compelling as it is funny as it is ultimately quite moving thanks to a terrific script, a fabulous cast, a sensational production design, and Ken Sawyer in the director’s chair.
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CRY IT OUT

Powerhouse acting honed during Cry It Out’s three-week run at Little Fish Theatre made me glad I got to experience the final performance of Molly Smith Metzler’s funny, compelling, deeply moving dramedy about modern-day motherhood and marriage.
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I’LL GIVE YOU MY HEART


Do you too wish that Hollywood were still making the kind of romantic comedies that turned Julia Roberts, Meg Ryan, and Sandra Bullock into international superstars back in the ‘90s? If so, you won’t want to miss Tamara Steren’s heartstrings-tugging World Premiere romcom I’ll Give You My Heart at Burbank’s Colony Theatre.
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TORCH SONG


Michael Mullen delivers a career-best performance as Arnold Beckoff in Harvey Fierstein’s Torch Song, now making its long-awaited local debut at Santa Monica’s venerable Morgan-Wixson Theatre.
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ADOLESCENT SALVATION


A Tequila-fueled game of Truth or Dare yields unpredictable and life-changing consequences for the teenage protagonists of Adolescent Salvation, Tim Venable’s latest bit of play-writing brilliance on Rogue Machine’s ultra-intimate Henry Murray Stage.
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WINE IN THE WILDERNESS


Will Geer Theatricum Botanicum concludes one of its best seasons ever with an absolutely terrific staging of Alice Childress’s slice-of-1960s-African-American-life Wine In The Wilderness.
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THE SEAGULL: MALIBU


Ellen Geer updates Anton Chekhov’s The Seagull from 1890s tsarist Russia to Malibu, California during the “It’s All About Me” 1970s, and the exhilarating result is The Seagull: Malibu, a romantic dramedy that’s both Chekhovian and Southern Californian, and a Summer Of 2025 treat no matter how you feel about Chekhov.
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