THE IMPORTANCE OF BEING EARNEST

Multitalented director Michael Marchak ups the physical comedy to entertaining effect in Crown City Theatre Company’s 124th-anniversary revival of Oscar Wilde’s The Importance Of Being Earnest, but it remains Wilde’s way with words delivered by a terrific cast of Crown City favorites that earn the lion’s share of laughs.
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KING LEAR

No one trims the Bard down to basics better than director-of-all-trades Denise Devin, and with Robert A. Prior editing and adapting Shakespeare’s mammoth text in addition to delivering a masterful star turn in the title role, Zombie Joe’s Underground Theatre Group’s 90-minute King Lear packs a powerful punch whenever His Royal Majesty is center stage.
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THE GLASS MENAGERIE

The Glass Menagerie is in expert hands as International City Theatre revives the masterpiece that first put Tennessee Williams’ name on the map, giving it a 74th-anniversary revival sparked by impeccable direction, striking design, and performances that breathe fresh new life into a classic.
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AN EVENING OF BETRAYAL

Harold Pinter’s backwards-moving Betrayal and an abridged Othello told from finish to start add up to An Evening Of Betrayal that proves one of late spring’s most exciting theatrical surprises.
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THE IMPORTANCE OF BEING EARNEST

You are hereby invited to dine in elegance whilst savoring the equally delectable delights of Oscar Wilde’s The Importance Of Being Earnest as The 413 Project Theater serves up high tea dinner and a show at Pasadena’s Madeline Gardens, as appetizing an evening of Oscar as any Wilde fan could possibly wish for.
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HENRY V

Those who insist on three-plus hours of Shakespeare may well get their knickers in a twist over the sixty-some minutes chopped from Julia Rodriguez-Elliott and Geoff Elliott’s excitement-packed Henry V now on show at Pasadena’s A Noise Within. Not this reviewer, who welcomes not just its refreshingly brief two-hours-and-change running time but its multitude of action movie-ready thrills.
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MRS. WARREN’S PROFESSION

A Noise Within has once again done what it does best in George Bernard Shaw’s Mrs. Warren’s Profession. It has taken a theatrical classic of centuries past and staged it as if it had been written today, and with the always edgy Michael Michetti in the director’s chair, ANW’s slogan “Classic Theatre, Modern Magic” has rarely felt more apt.
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IPHIGENIA IN AULIS

There are perhaps few genres more likely to fill contemporary theatergoers with the fear of dozing off mid-play than the dreaded Greek Tragedy, that is unless the company putting on the show is Chicago’s Court Theater, in town this month to resuscitate the 2400-year-old Iphigenia In Aulis to spellbinding, gut-punching effect at Malibu’s Getty Villa.
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