A MIDSUMMER NIGHT’S DREAM
Monday, August 2nd, 2021
A Midsummer Night’s Dream, a quarter-century tradition at Will Geer’s Theatricum Botanicum, is back for 2021, trimmed to ninety minutes and jam-packed with physical comedy and song performed by one of the finest Theatricum casts ever, most of them performing in it for the very first time.
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AND THEN THERE WERE NONE
Saturday, March 7th, 2020Still going strong in its 98th season, Whittier Community Theater entertains loyal locals with a suspenseful, somewhat slow-paced, but mostly fine production of Agatha Christie’s mystery classic And Then There Were None.
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A STREETCAR NAMED DESIRE
Thursday, March 5th, 2020
Superb lead performances and a production design that looks as if it were designed with A Streetcar Named Desire in mind make Inland Valley Repertory Theatre’s revival of the 1947 Tennessee Williams classic one of the company’s best productions ever.
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MEASURE FOR MEASURE
Sunday, February 23rd, 2020
A powerful government official offers to suspend a sex offender’s death sentence in exchange for a night of love-making with the convicted man’s virginal sister.
William Shakespeare foreshadows the #MeToo movement by about four hundred years in Measure For Measure, a four-century-old play given stunning contemporary relevance by directors Armin Shimerman and Elizabeth Swain at Antaeus Theatre Company.
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AN IDEAL HUSBAND
Friday, February 14th, 2020Though its three-hour running time may not be a contemporary theatergoer’s ideal, Oscar Wilde’s An Ideal Husband served with a London High Tea Dinner at Pasadena’s picturesque Madeline Gardens Bistro makes 413 Repertory Theater’s latest a mouth-wateringly out-of-the-ordinary evening of stage and cuisine.
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ARSENIC AND OLD LACE
Sunday, January 26th, 2020
The Brewster sisters are once again at their mirthfully murderous ways in La Mirada Theatre’s pitch-perfect revival of Joseph Kesserling’s 1941 Broadway classic Arsenic And Old Lace.
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CHARLEY’S AUNT
Saturday, January 4th, 2020
Effervescent performances by a pitch-perfect cast, inspired direction by a Broadway National Tour vet only just out of his teens, and a script so fresh and funny, you’d hardly guess it was written over a hundred-twenty-five years ago combine to make Glendale Centre Theatre’s in-the-round staging of Brandon Thomas’s Charley’s Aunt the year’s first bona fide comedy hit.
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THE MAN WHO CAME TO DINNER
Monday, December 16th, 2019
When it comes to terrorizing an all-American family while scheming to get his own egomaniacal way, nobody did it better in the 1930s than radio superstar Sheridan Whiteside, just one reason why Golden-era Broadway fans won’t want to miss The Group Rep’s spiffy revival of Kaufman and Hart’s screwball comedy classic The Man Who Came To Dinner.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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