Author Archive

THE TALE OF THE ALLERGIST’S WIFE

RECOMMENDED
Things haven’t been going all that well recently for New York matron Marjorie Taub. The death of her beloved therapist has left her with a feeling she describes as “Perdu. Utter damnation. The loss of my soul.” Though the Disney Store has fortunately decided not to press charges for the six porcelain figures she just happened to drop following her shrink’s memorial service, Marjorie can’t seem to get off the living room sofa and attend her usual mix of lectures, gallery exhibits, and opera symposiums. “I’m a fraud,” she moans to her allergist husband Ira. “A cultural poseur. To quote Kaafka, ‘I am a cage in search of a bird’”
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THE ELEPHANT MAN


When most people hear the title The Elephant Man, they likely recall David Lynch’s 1980 film, which received 8 Academy Award nominations, including one for John Hurt’s unforgettable leading performance. 
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IN THE NEXT ROOM (or the vibrator play)


It’s the late 1800s and Sabrina Daldry is exhibiting symptoms that concern her considerably older husband. Light has been bothering Sabrina lately, and she cries at the drop of her heavily veiled hat. A consultation with a certain Dr. Givings reveals the cause of her ailments: hysteria. (A contemporary doctor would probably diagnose her condition as depression resulting from sexual frustration.) Fortunately, Dr. Givings has just the treatment to cure Sabrina of her ills, a device made possible by the recent arrival of electric current into New York’s wealthier homes. A two or three-minute application of this vibrating apparatus to Sabrina’s private parts, plus a bit of digital stimulation administered by the doctor’s faithful nurse Annie, provides an almost instantaneous improvement in Sabrina’s mental state (along with a number of moans and gasps of pleasure), and she eagerly agrees to return for daily treatments.
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THE FURTHER ADVENTURES OF HEDDA GABLER

NOT RECOMMENDED

A crackerjack theatrical design can make the difference between a very good production and a great one, and can sometimes even make a so-so script seem better than it actually is. I loved Jeff Whitty’s surrealistic comedy The Further Adventures Of Hedda Gabler when I caught its world premiere at South Coast Repertory in January of 2006. Having now seen it for the second time at Santa Monica’s Morgan-Wixson Theatre, I begin to wonder how much of my enjoyment of Hedda’s adventures in the afterlife came as a result of SCR’s superb set, lighting, and sound design. Take these away from the play, and what ends up on stage is something considerably less successful, despite a committed director and cast.
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THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE


Since discovering USC’s Musical Theatre Repertory nearly three years ago with their sensational intimate staging of Sunday In The Park With George, I’ve tried never to miss an MTR production. Unlike USC mainstage productions, MTR shows are entirely student produced, directed, designed, and performed, thereby providing sneak previews of future Broadway/regional theater on-and-offstage talents. With veteran MTR members graduating each June and moving on to professional careers, every new school year introduces a fresh batch of Trojan theater majors every bit as talented as their predecessors, something MTR’s current production of William Finn’s The 25th Annual Putnam County Spelling Bee makes perfectly clear.
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NO, NO, NANETTE


“Tea For Two” and “I Want To Be Happy,” two of the biggest hits of the 1920s, made their Broadway debut eighty-five years ago in No, No, Nanette, a show that won a grand total of four big Tony Awards—not in its original Broadway engagement but forty-six years later in a revival that ran almost three times longer than the original. For this reason alone, No, No, Nanette is worthy of attention, even in 2010, and 21st Century theatergoers now have the chance to discover this little bit of Broadway nostalgia at the Downey Civic Light Opera.
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CATHY NEWMAN

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TAKE ME OUT


Baseball superstar Darren Lemming of the New York Empires would seem to have it made. Blessed with a physical beauty and athletic prowess most can only dream of, the biracial outfielder’s Golden Boy status has kept him above whatever bigotry a lesser man might likely have encountered in major league sports. So certain, in fact, is Darren of being above it all that when he comes out publicly as gay, he expects few if any repercussions from the announcement. Yes, other baseball players might suffer from the homophobia rampant in professional athletics, but not Darren Lemming—that is until pitcher Shane Mungitt arrives to rescue Darren’s loss-plagued team and all hell breaks loose.
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