Author Archive
MEASURE FOR MEASURE
Wednesday, October 13th, 2010
A powerful government official offers to suspend a sex offender’s death sentence in exchange for a night of love-making with the convicted man’s virginal sister. Sound like a scene from a day or nighttime soap? It certainly could be, but is in fact the central conflict of William Shakespeare’s Measure For Measure, about as contemporary a play as the Bard ever wrote, even four-plus centuries after its first performance. No wonder A Noise Within’s “present time” setting in a “modern capital city” works so well in this first production of its 2010-2011 repertory season.
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SPOTLIGHT CABARET: BROADWAY NU SKOOL
Tuesday, October 12th, 2010
There’s been an explosion of New York style cabaret in Los Angeles over the past few years, with Aaron Jacobs’ second-Sunday-of-the-month Spotlight Cabaret providing audiences the chance to enjoy the vocal talents of some of our finest musical theater talents while savoring some of Café Metropol’s tasty dinner treats or a cocktail, beer, or glass of wine.
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SOUTH PACIFIC
Tuesday, October 12th, 2010
Rodgers & Hammerstein fanatics may cry sacrilege, but I never quite understood why South Pacific was considered such a classic. Then came the National Tour of the 2009 Tony-winning (Best Revival Of A Musical) Lincoln Center Theatre production, and I became a believer. Not only is South Pacific one of Rodgers & Hammerstein’s finest, it stands as one of the greatest musicals ever to grace a Broadway theater, at least when done right.
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FUTURA
Sunday, October 10th, 2010
What do you call a play that starts with a 35-minute university lecture on “From Pen To Pixel: A History Of Typography,” turns in an instant into an edge-of-your-seat thriller, and finally becomes something quite lyrical which leaves you breathless?
You call it brilliant.
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THEY’RE PLAYING OUR SONG
Saturday, October 9th, 2010
Two years after Neil Simon’s semi-autobiographical Chapter Two chronicled the widowed playwright’s second-chanceat-happiness marriage to Marsha Mason, his They’re Playing Our Song brought to the Broadway stage a fictionalized version of another real-life romance, that of songwriting partners Marvin Hamlisch and Carole Bayer Sager, this time told as a musical comedy featuring a dozen original songs by the selfsame team.
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THE BUTCHER OF BARABOO
Friday, October 8th, 2010
The Coen Brothers meet Beth Henley in Marisa Wegrzyn’s The Butcher Of Baraboo, a quirky bit of Fargo crossed with Crimes Of The Heart, now getting its Los Angeles premiere at North Hollywood’s The Road Theater Company.
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KURT VONNEGUT’S SLAUGHTERHOUSE FIVE
Thursday, October 7th, 2010RECOMMENDED
“You’ll either love it, or push it back in the science-fiction corner,” opined the New York Times in its 1969 review of Kurt Vonnegut’s anti-war sci-fi novel Slaughterhouse Five. The same can probably be said about its theatrical adaptation by Eric Simonson, now getting its first West Coast production fourteen years after its World Premiere at Chicago’s Steppenwolf Theatre Company. Theatergoers unfamiliar with Vonnegut’s dense, epic tale, or those whose tastes run towards realistic, linear storytelling rather than the avant-garde or experimental may choose to pass on Action Theatre’s intimate staging, despite its generally fine acting and imaginative direction by Tiger Reel. On the other hand, Vonnegut fans will want to check out how adapter Simonson manages to compact Slaughterhouse Five down to an intermission-free ninety minutes of live theater.
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PETER PAN
Wednesday, October 6th, 2010
No matter how many Peter Pans you’ve seen, you’ve never seen a Peter Pan nearly as thrilling as threesixty’s Peter Pan. Its producers tout the production’s “500 tons of tent and equipment, 100 cast and crew, and 400 square miles of computer generated imagery on a screen the size of 3 IMAX theaters.” Previous reviewers have called it “spectacular,” “thrilling,” “breathtaking,” “joyous,” “mesmerizing,” and “magical.” It’s all of this, and laugh-out-loud funny to boot.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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