Author Archive
LEGALLY BLONDE
Monday, July 2nd, 2012
Nothing makes this musical theater lover happier than when a recent Broadway favorite makes its way to regional productions on our local stages. Such is the case with 2007’s Legally Blonde, now getting its Southern California Regional Premiere at Vista’s Moonlight Amphitheatre, and if 90 or so miles seems a bit of a schlep to catch SoCal’s very first from-the-ground-up Legally Blonde, then you’re far less of a musical theater (and Elle Woods) aficionado than this reviewer. The Broadway stage adaptation of the 2001 movie smash is a textbook example of how to turn a hit celluloid romcom into a nigh-on-perfect musical comedy, and one that the folks down at Moonlight have staged about as terrifically as imaginable.
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MONTY PYTHON’S SPAMALOT
Monday, July 2nd, 2012
It’s taken eight long years for Monty Python’s Spamalot to go from its preview engagement in Chicago to its Regional Premiere at Long Beach’s Musical Theatre West, but in the case of the one-of-a-kind Spamalot, the resulting production proves well worth the wait. Using the original Broadway sets, costumes, and choreography (but in all other respects building its production “from the ground up”), MTW gives Los Angeles-area audiences abundant reasons to celebrate Spamalot’s long-awaited arrival.
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JULIET &HER ROMEO
Saturday, June 30th, 2012
Vanguard Rep opens its Summer 2012 La Cañada Flintridge Shakespeare Festival with Juliet &her Romeo, Matthew Kellen Burgos’s 80-minute 3-actor adaptation of a play you might have read in high school.
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FLUFFY BUNNIES IN A FIELD OF DAISIES
Friday, June 29th, 2012
With a title as cutesy yet unwieldy as Fluffy Bunnies In A Field Of Daisies, you’d hardly expect Matt Chaffee’s 2002 two-acter to be a delightful, smart, cleverly written, occasionally raunchy but more often than not mush-hearted comedic gem, let alone one that ran off-and-on for an amazing two or three years in its initial Los Angeles run. Still, this is precisely what Fluffy Daisies is, as audiences can once again discover in its 10 Year Anniversary Revival at Hollywood’s Arena Stage Theatre.
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AUGUST WILSON’S JITNEY
Tuesday, June 26th, 2012
Back in 1979 when it was first written, August Wilson’s Jitney was a contemporary slice of African-American life as lived in Pittsburg, PA, and the first of a projected series of ten plays, each set in a different 20th Century decade. By the time Wilson completed his ambitious labor in 2005 with Radio Golf (set in the ‘90s), Jitney had morphed into a period piece, perhaps even more noteworthy for the look back in time it now offered.
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HARMONY, KANSAS
Sunday, June 24th, 2012
If it seems at times that native Angelinos are about as rare as a 99-seat production that starts at 8:00 on the dot, it’s perhaps even harder to find big-city LGBTs who haven’t left their small town homes for greener big city pastures, or so it may seem. No wonder, then, that Blue State gays and lesbians tend to forget just how many of us there still are in the American heartland.
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THE MERRY WIVES OF WINDSOR
Saturday, June 23rd, 2012
Most Palisades High School theater students would probably never dream of making a career out of producing and starring in William Shakespeare’s Greatest Hits, yet that is precisely the dream that Charles Pasternak and his fellow Pali-Highers Edward Castuera and Jack Leahy shared a decade or so ago, a dream which led to the 2006 founding of an exciting young theater company bent on staging every single play in the Shakespearean oeuvre. When I reviewed my very first The Porters Of Hellgate production, Love’s Labor’s Lost, back in 2008, they were already at number eight in only their second season. The Merry Wives Of Windsor makes it fourteen* and counting, and as in productions past, The Porters have once again come up with an original take on a Shakespeare standard and done so with considerable skill and panache.
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D IS FOR DOG
Saturday, June 23rd, 2012
What starts out as a clever, visually stunning satire of 1950s family sitcoms like Father Knows Best, The Donna Reed Show, and The Adventures Of Ozzie And Harriet turns into something a good more Twilight Zonesque in Rogue Artists Ensemble’s D Is For Dog, now returning to Los Angeles a year after its award-winning initial run, terrific news for those like this reviewer who somehow missed it the first time around.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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