Author Archive

THE EXORCIST

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It takes chutzpah to adapt a horror movie classic for the stage, especially one as iconic as William Friedkin’s The Exorcist, one of the highest grossing films ever. Nominated for ten Oscars (and winning two for Adapted Screenplay and for Sound), The Exorcist not only spawned two sequels and a prequel, it was named Scariest Film Of All Time by Entertainment Weekly and Movies.com.
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TOPHER RHYS TALKS ABOUT SPRING AWAKENING IN CONCERT

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OUR HOUSE


Theresa Rebeck skewers reality TV in her very funny—and very smart—Our House, now getting a terrific West Coast Premiere at Hollywood’s Lounge Theatre.
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JEKYLL & HYDE


If there’s anything Los Angeles theater can be justifiably proud of, it’s our particular talent for scaling down big-stage, big-bucks Broadway musicals to intimate dimensions. Recent productions of The Color Purple and Spring Awakening not only rivaled their Tony-winning New York counterparts, in the eyes of some observers they even surpassed them. Now, DOMA Theatre Company tries its hand at a downsized Jekyll & Hyde, and if a bit of miscasting and some roughness around the edges prevent it from reaching the heights hit by the aforementioned 99-seat smashes, the Marco Gomez-directed production nonetheless makes for an exciting evening of musical theater at its most dramatic and tuneful.
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CRAZY FOR YOU


Santa Monica’s venerable Morgan-Wixson Theater once again redefines “community theater” with its latest big-stage musical revival, Crazy For You, the Tony-winning Best Musical of 1992, directed with assurance and pizzazz by Anne Gesling.
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12th NIGHT


Twelfth Night. Eighty minutes. No intermission. Shakespeare purists may cavil, but to those with more contemporary sensibilities, these words could hardly be more musical to the ears.

A shorter, brisker running time proves but one of many reasons why Vanguard Rep’s stripped-down 12th Night comes as such a delightful treat this summer season. Add to that inventive direction by adapter Sam R. Ross and featured player Matthew Kellen Burgos, sparkling performances by an all-Equity cast of nine, a splendid production design, and an optional pre-show bring-your-own-feast picnic with a panoramic view of the San Gabriel Valley and you’ve got a 2012 La Cañada Flintridge Shakespeare Festival offering too irresistible to say “No” to.
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THE IMMIGRANT


From the rear of the Pico Playhouse comes a foreign-accented male voice singing a beautiful, mournful refrain: “The stars can see what we cannot, the stars remember what we forgot. See that shining spark. God is there in the dark…” Little by little, a slight, bearded figure enters our field of vision, pushing a cart filled with ripening bananas down the center aisle.
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KAREN VOLPE: DINNER AND A FANCY DRESS

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