Author Archive

THE GRÖNHOLM METHOD

 


Catalan playwright Jordi Galcerán casts a cynical, bemused eye on the cutthroat world of international big business in his darkly comedic The Grönholm Method, the most exciting play to make the transatlantic crossing in an English translation since Yasmina Reza’s God Of Carnage stunned Broadway in 2009.
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WAR BRIDE


When returning WWII G.I. Alvin Rhodes told his mother Catherine he’d be bringing a surprise back to Merced with him, she thought he meant a lovely tea set. About the last thing she was expecting was a Japanese bride. After all, it was only the month before that the “Japs” had surrendered, and as far as Catherine was concerned, they were still our enemy. How dare Alvin play this sick joke on her? How dare he commit treason in this way!

Thus begins Samantha Macher’s highly original and often quite gripping War Bride, now getting its World Premiere production by SkyPilot Theatre, astutely directed and imaginatively choreographed by Nancy Dobbs Owen.
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TICK TOCK BOOM CLAP


L.A. stage favorites Melissa Fahn and Sam Zeller light up the big screen in Tick Tock Boom Clap, an enchanting movie dramedy that combines the tried-and-true romcom genre with a behind-the-scenes look at what goes into making theater, whether it be a big-bucks Broadway production or a small-potatoes community theater musical like the one around which Tick Tock Boom Clap revolves.
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STRANGE BEDFELLOWS

NOT RECOMMENDED

A smart, funny, sophisticated, incisive satire of old-school Orange County conservatives vs. the progressive LGBT minority in their midst would make for a terrific World Premiere production at Santa Ana’s Theatre Out. Unfortunately, Andy Black and Patricia Milton’s Strange Bedfellows is not that play.
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ARE YOU THERE GOD? IT’S ME, KAREN CARPENTER


“Dear God, don’t let New Jersey be too horrible!” prays eleven-year-old Margaret Simon, brand new to the Garden State and worried—like any girl her age finding herself in a new city—about fitting in, making new friends, and the particular challenges of being on the cusp of young womanhood. Easing Margaret’s adjustment to Jersey life are her new best friends Nancy, Gretchen, and Janie, aka the PTSes (Preteen Sensations). As for those love dreams any preteen is likely to have at night, who better to inspire them than neighborhood heartthrob Moose Freed, the first glimpse of whom makes Margaret hear, not bells, but the intro to “(They Long to Be) Close to You,” so that before you know it, Margaret and Moose are duetting the Carpenters classic, mikes in hand?
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PAUL+CHRIS: TOGETHER AGAIN (FOR THE FIRST TIME)


Take two of L.A.’s most handsome and vocally gifted musical theater performers—partners in music and life for the past eleven years. Stir in a dozen and a half tunes showcasing their talents both as individuals and as a duo. Back with some terrific ivory-tickling and surround with a theaterful of fans and friends and you’ve got Paul+Chris: Together Again (for the first time), an evening of musical theatre songs “exploring the surprises of friendship, longing, and love,” and one far too entertaining for its one performance only last night at the NoHo Arts Center.
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GOD OF CARNAGE


San Diego’s Old Globe Theatre stages Yasmina Reza’s Tony-winning Best Play of 2009 God Of Carnage with three graduates of its prestigious MFA program (and a fourth Old Globe favorite) and comes up with a production that easily rivals those which have starred far bigger names.
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ALTAR BOYZ


The Altar Boyz are back, and for diehard Los Angeles fans of this fictional Christian boy band, a hop, skip, and a jump down to San Diego’s Diversionary Theatre provides the first chance in over two years to spend an hour and a half being concertized by five of the cutest, sexiest, and most praise-raising triple-threats ever to share a musical theater stage.
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