Author Archive
THE COMPANY MEN
Tuesday, September 4th, 2012
With their snazzy business suits and skinny neckties, they might seem at first glance to be a quartet of ad execs straight out of TV’s Mad Men. Place them onstage in front of mikes and backed by a four-piece rock band and they turn into the hot new singing group The Company Men, now wowing audiences in a limited series of Sunday appearances at the Key Club on world famous Sunset Strip.
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A MAN OF NO IMPORTANCE
Sunday, September 2nd, 2012
Performance Riverside introduced its patrons to the musical theater genre known as the Concert Staged Reading in last night’s script-in-hand, one-performance-only “reading” of Ahrens and Flaherty’s A Man Of No Importance. And the result?
A nearly flawless production entirely deserving of its standing ovation.
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THE FANTASTICKS
Sunday, September 2nd, 2012RECOMMENDED
When the best-known of Tom Jones and Harvey Schmidt’s musicals ended its off-Broadway run ten years ago, the New Yorker marked its closing with (what else?) a cartoon. In it, an elderly couple sit reading the news, one of them glancing up to remark deadpan to the other, “We missed ‘The Fantasticks,’” a sly dig on folks who put off seeing a show so long that they end up missing it entirely, and in the case of The Fantasticks, that meant a record-breaking 42-year, 17,162-performance postponement.
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FISHING
Friday, August 31st, 2012
Playwright David J. Duman has taken his years of toiling in assorted San Francisco Bay Area restaurants and used them as food for laughter in Fishing, his sexy, spicy, fly-on-the-wall look at the staff and customers of a trendy seafood eatery, now getting its first Los Angeles production at Downtown L.A.’s Archway Studio/Theatre.
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DADDY LONG LEGS
Monday, August 27th, 2012
A brand new cast makes PCPA Theaterfest’s production of Daddy Long Legs, Paul Gordon and John Caird’s exquisite gem of a musical, seem fresh and new, even for those like this reviewer who fell in love with it in previous engagements at the Rubicon and La Mirada. Though Jean Webster’s 1912 novel Daddy-Long-Legs fits squarely in the Children’s Books section of your local library or Barnes And Noble, its musical adaptation (minus hyphens) once again proves absolutely right for ages eight to eighty.
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MISS SAIGON
Monday, August 27th, 2012
Having now seen a grand total of seven major productions of Miss Saigon, I’m going to go out on a limb and say: If Candlelight Pavilion Dinner Theatre’s reimagining of the 1991-2001 Broadway megasmash isn’t the very best of the bunch (which it may well be), it is certainly the freshest, grittiest, and most original staging I’ve seen since first experiencing Miss Saigon’s First National Tour at the Ahmanson way back in 1995.
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GHOST-WRITER
Saturday, August 25th, 2012
Wikipedia defines a “ghostwriter” as someone who “writes books, articles, stories, reports, or other texts that are officially credited to another person.” Add a hyphen and a “ghost-writer” is something quite different indeed—or so we learn in Michael Hollinger’s Ghost-Writer, now getting a classy West Coast Premiere at Long Beach’s International City Theatre.
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LITTLE SHOP OF HORRORS
Friday, August 24th, 2012
Inspired direction, imaginative choreography, splendid performances, and an in-the-round stage make Glendale Centre Theatre’s revival of the cult musical classic Little Shop Of Horrors one of the very best of the many this reviewer has seen over the past decade.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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