Author Archive
AH, WILDERNESS!
Sunday, September 15th, 2013
A quarter century before Eugene O’Neill’s deep dark look at a fictionalized version of his drug-and-alcohol-addicted family, Long Day’s Journey Into Night, first opened on Broadway, the soon-to-be Nobel laureate treated 1933 New York theatergoers to an idealized vision of that same family in his one-and-only comedy Ah, Wilderness!
Now, a year after its multiple-Scenie-winning revival of Long Day’s Journey, Actors Co-op introduces its audiences to the Millers (a lighter, brighter version of the O’Neills/Jeromes), and what a delightful, beautifully staged and acted production the Co-op has come up with.
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I LOVE YOU, YOU’RE PERFECT, NOW CHANGE
Friday, September 13th, 2013
Men may be from Mars and Women from Venus, but the twain do meet … and fall head over heels … and then decide it’s time to fix each other’s flaws in I Love You, You’re Perfect, Now Change, Joe DiPietro and Jimmy Roberts’ smash off-Broadway musical revue, now getting a sparklingly performed 17th Anniversary revival at North Hollywood’s Crown City Theatre.
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STEEL MAGNOLIAS
Thursday, September 12th, 2013
You may have seen Steel Magnolias before, either on stage or on film, but you’ve never seen magnolias of steel quite like the six women now lighting up the stage at East West Players’ David Henry Hwang Theater. Robert Harling’s now iconic Southern belles are Asian-American this time round, their ethnicity adding new shadings to this sextet of women whose delicate exteriors mask tough-as-nails cores.
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DEATH OF A SALESMAN
Monday, September 9th, 2013
What better way for South Coast Repertory to open its 50th Anniversary season than with what many consider the finest play of the 20th Century, Arthur Miller’s Pulitzer Prize-winning Death Of A Salesman, and to do so with a twist—by casting the Lomans as an African-American family.
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FUNNY GIRL
Sunday, September 8th, 2013
In the forty-nine years since Funny Girl debuted on Broadway, this musical biography of Fanny Brice has pretty much faded into obscurity despite its eight Tony nominations, and if regional revivals have been few and far between, blame that on a leading role that’s a bear to cast, a book that’s been aptly dubbed problematic, and absolutely no Funny Girl sets or costumes available for rent.
3-D Theatricals solves two of these three problems in its sensational from-the-ground-up revival, and though Isobel Lennart’s book remains more than a bit of a hodgepodge, Nicole Parker’s absolutely stellar lead performance, Michael Matthews’ inspired direction, and brand new Broadway-caliber sets and costumes by Stephen Gifford and Cheryl Sheldon make this revival another 3-D-T winner.
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THE DREAM OF THE BURNING BOY
Friday, September 6th, 2013
There are as many shades of grief as there are survivors in David West Read’s powerful The Dream Of The Burning Boy, now getting its West Coast Premiere at Malibu Playhouse in a production that easily rivals the best of L.A.’s higher-profile 99-seat houses.
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PROMETHEUS BOUND
Thursday, September 5th, 2013NOT RECOMMENDED
There are a number of reasons to spend a September evening out in Pacific Palisades where the Getty Villa* is presenting its annual classic theater offering, the least of which is the play itself, for despite intense, committed performances, innovative design, and a couldn’t-be-better setting, Prometheus Bound remains that most acquired of tastes, Greek Tragedy.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.


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