Posts Tagged ‘Ventura County Theater Review’

THE LAST FIVE YEARS

Jason Robert Brown’s The Last Five Years is revived to powerful, affecting life at Ventura’s Rubicon Theatre thanks to the combined efforts of director Stephanie A. Coltrin, costars Ashley Fox Linton and Louis Pardo, musical director Brent Crayon, and perhaps most remarkably of all, of scenic, lighting, and projection designer Mike Billings.
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COMPANY

It’s been over a decade since Stephen Sondheim and George Furth’s Tony-winning Best Musical of 1970, Company, has had an L.A. (or L.A.-adjacent) big-stage revival, making its arrival at Thousand Oaks’ Cabrillo Music Theater big news indeed, particularly as directed with abundant inspiration and flair by Nick DeGruccio and performed by an all-around fabulous cast, with Cate Caplin’s imaginative choreography giving the show an added dash of pizzazz.
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THE GIFT OF THE MAGI THE MUSICAL

NOT RECOMMENDED

The 2000-word classic The Gift Of The Magi might well make a charming twenty-minute one-act musical. Add to it over a dozen characters (none of whom would ever have entered O’Henry’s mind) and a dozen songs (only a couple of which might inspire a second listen), and despite the best efforts of director, choreographer, musical director, and cast, what you end up with is The Gift Of The Magi The Musical.

Rarely has this reviewer found two thirty-five minute acts so endless.
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A CHRISTMAS CAROL

RECOMMENDED

Alan Menken & Lynn Ahrens’s gorgeous songs are the best of quite a few reasons to catch Actors Repertory Theatre Of Simi’s holiday production of Charles Dickens’ A Christmas Carol despite the disservice its multitalented hometown cast is done by some sour notes emanating from the orchestra pit.
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MEMPHIS

Todd Adamson gives one of the year’s truly great performances as DJ Huey Calhoun opposite a sensational SoCal-debuting Lakeisha Renee Houston as star-to-be Felicia Farrell in Cabrillo Music Theatre’s Regional Premiere of Memphis, the fact-inspired tale of a Tennessee disc jockey who made history by daring to play “race music” on white radio back in the still-segregated 1950s.
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CONVICTION

A long-married suburban couple and their seventeen-year-old son attempt to survive the aftermath of a terrible, life-destroying accusation in Carey Crim’s powerful, provocative new play Conviction, which though still in need of work, receives an outstanding World Premiere co-production at Ventura’s Rubicon Theatre.
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GODSPELL

It’s not your grandparents’ Godspell anymore, just one of several reasons to catch Actors Repertory Theatre Of Simi’s revival of the 1971 Stephen Schwartz off-Broadway-to-Broadway classic as reconceived for The Great White Way in 2011 and now brought to effervescent life by an impressive young cast at the Simi Valley Performing Arts Center.
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BYE BYE BIRDIE

Cabrillo Music Theatre revives the 1960 Broadway classic Bye Bye Birdie with a now almost unheard-of cast of more than sixty, and though this is one Birdie that doesn’t say “Bye Bye” till two hours and fifty-five minutes after the first note of its Overture, the all-around sensational revival provides proof positive why theater lovers and local businesses must rally behind the endangered Southland musical theater mainstay that is Cabrillo. To paraphrase Irving Berlin, there’s no musical theater in Ventura County like Cabrillo Music Theater.
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