Posts Tagged ‘USC School Of Dramatic Arts’

SUNDAY IN THE PARK WITH GEORGE

USC School Of Dramatic Arts offers musical theater aficionados the rare opportunity to see Stephen Sondheim’s musical masterpiece Sunday In The Park With George fully staged, fully orchestrated, exquisitely designed, and most importantly of all, superbly performed by a stellar student cast.
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AVENUE Q

Avenue Q proves an ideal showcase for ten terrifically talented Trojans, eight of whom are making their Musical Theatre Repertory debuts, as USC’s premier all-student musical theater company opens its 13th season with 2004’s Tony-winning grown-up take on a children’s TV classic.
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CABARET

USC’s Musical Theatre Repertory once again rivals the finest intimate professional theater in town with its all-around smashing student-performed, student-directed, student-designed revival of the 1966 Kander and Ebb classic Cabaret.
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THE WILD PARTY

Musicals don’t get much wilder, nor university productions much finer than the USC School Of Dramatic Arts’ sensational staging of Andrew Lippa’s The Wild Party, concluding its sold-out five-performance run this afternoon at USC’s intimate McClintock Theatre.
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NEXT TO NORMAL

Maxine Phoenix gives Broadway divas decades her senior a run for their money as Diana Goodman in USC Musical Repertory’s impressive intimate staging of the 2008 Pulitzer Prize-winning Next To Normal, Tom Kitt and Brian Yorkey’s moving musical look at the effects of mental illness on an all-American family.
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EVITA

Just when you thought the life and loves of Eva Peron had been done to death, along comes director Tim Dang and choreographer Cindera Che’s thrillingly reimagined Evita, this year’s USC School Of Dramatic Arts spring musical, a big-stage production that differs from regional theater’s finest only in the youth of its sensationally talented cast.
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A LITTLE NIGHT MUSIC

In a 180-degree stylistic turn from last year’s Grease (USC’s most crowd-pleasing big-stage musical in years), the School Of Dramatic Arts revives Stephen Sondheim and Hugh Wheeler’s A Little Night Music so exquisitely that only its cast’s youth distinguishes it from the best of professional revivals.
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GREASE

You know from the great-big boy-band/girl-group/cast-of-thirty title-song production number that opens USC’s revival of the Broadway/Hollywood smash Grease that you’re in for something out of the ordinary, and here’s the even better news. USC’s big-stage production turns out to be by far the most exciting of the eight Grease revivals I’ve seen.
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