Posts Tagged ‘Theatre Of NOTE’
CLOWNFISH
Saturday, July 16th, 2022Playwright Amy Dellagiarino’s script shows considerable promise, but her Theatre of NOTE World Premiere comedy Clownfish would work a whole lot better had the director reined in one particularly over-the-top performance (and those around it in the play’s frenetic midsection).
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FRUITION
Friday, November 8th, 2019If dystopian thrillers are your thing, you may buy into the post-apocalyptic world imagined by Alexis DeLaRosa in Fruition, a Theatre Of NOTE World Premiere. If not, you’ll likely find yourself less enthralled by what DeLaRosa imagines in store for the USA as we know it.
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DRIVING WILDE
Friday, August 23rd, 2019Though it goes haywire about halfway through, Driving Wilde, Jacqueline Wright’s trippy contemporary Americanized take on The Portrait Of Dorian Gray, is far from dull.
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MARIAN, OR THE TRUE TALE OF ROBIN HOOD
Saturday, August 25th, 2018
Maid Marian is far from the only resident of Nottingham and its neighboring Sherwood Forest to blur gender and sexuality in Adam Szymkowicz’s LGBTQ-celebratory, song-and-swordplay-packed Marian, Or The True Tale Of Robin Hood, one of Theatre Of NOTE’s most exhilarating hits in years.
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WELCOME TO THE WHITE ROOM
Saturday, August 19th, 2017Theatre Of NOTE welcomes a generation raised on virtual reality to Theater Of The Absurd with the West Coast Premiere of Trish Harnetiaux’s overly cryptic but still mostly quite engaging Welcome To The White Room.
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A BEAUTIFUL DAY IN NOVEMBER ON THE BANKS OF THE GREATEST OF THE GREAT LAKES
Friday, November 11th, 2016
There may indeed be “no place like home for the holidays,” but there’s surely never been a holiday home quite like the Wemblys’ in Kate Benson’s A Beautiful Day In November On The Banks Of The Greatest Of The Great Lakes, now getting a weird, wacky, wonderful West Coast Premiere at Hollywood’s Theatre Of NOTE.
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D DEB DEBBIE DEBORAH
Friday, August 12th, 2016RECOMMENDED
Twilight Zone meets Theater Of The Absurd in D Deb Debbie Deborah, Jerry Lieblich’s trippy journey to a land where no one, not even the title character, is who they seem, and though it’s anyone’s guess what Lieblich is getting at throughout most of his play’s seventy-five minutes, confusion hardly matters till a sudden eleventh-hour try for profundity takes Quadruple D from entertaining to exasperating.
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BAD JEWS
Friday, July 1st, 2016
Cousins clash over religion, their heritage, and a precious family heirloom in Joshua Harmon’s equal parts side-splitting, button-pushing, discussion-provoking Bad Jews, back in L.A. as a mostly quite successful guest production at Hollywood’s Theatre Of NOTE.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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