Posts Tagged ‘Theatre Of NOTE’

MARIAN, OR THE TRUE TALE OF ROBIN HOOD

Maid Marian is far from the only resident of Nottingham and its neighboring Sherwood Forest to blur gender and sexuality in Adam Szymkowicz’s LGBTQ-celebratory, song-and-swordplay-packed Marian, Or The True Tale Of Robin Hood, one of Theatre Of NOTE’s most exhilarating hits in years.
(read more)

WELCOME TO THE WHITE ROOM

Theatre Of NOTE welcomes a generation raised on virtual reality to Theater Of The Absurd with the West Coast Premiere of Trish Harnetiaux’s overly cryptic but still mostly quite engaging Welcome To The White Room.
(read more)

A BEAUTIFUL DAY IN NOVEMBER ON THE BANKS OF THE GREATEST OF THE GREAT LAKES

There may indeed be “no place like home for the holidays,” but there’s surely never been a holiday home quite like the Wemblys’ in Kate Benson’s A Beautiful Day In November On The Banks Of The Greatest Of The Great Lakes, now getting a weird, wacky, wonderful West Coast Premiere at Hollywood’s Theatre Of NOTE.
(read more)

D DEB DEBBIE DEBORAH

RECOMMENDED

Twilight Zone meets Theater Of The Absurd in D Deb Debbie Deborah, Jerry Lieblich’s trippy journey to a land where no one, not even the title character, is who they seem, and though it’s anyone’s guess what Lieblich is getting at throughout most of his play’s seventy-five minutes, confusion hardly matters till a sudden eleventh-hour try for profundity takes Quadruple D from entertaining to exasperating.
(read more)

BAD JEWS

Cousins clash over religion, their heritage, and a precious family heirloom in Joshua Harmon’s equal parts side-splitting, button-pushing, discussion-provoking Bad Jews, back in L.A. as a mostly quite successful guest production at Hollywood’s Theatre Of NOTE.
(read more)

RIO HONDO

Earlier this year in their brilliantly spoofy Entropy, playwright Bill Robens and Theatre Of NOTE managed somehow to stage a gazillion-dollar Hollywood space-travel epic inside a 40something-seat theater. Robens and NOTE now work the same magic on that most American of movie genres—the Western—in their World Premiere comedy Rio Hondo, to my knowledge the very first L.A. theater production presented “in CinemaStage” and one that no horse opera lover will want to miss.
(read more)

ENTROPY

It cost Warner Brothers a hundred million dollars to make Gravity. It’s probably cost Theatre Of NOTE one or two ten-thousandths of that to stage Entropy, and believe me, the latest from NOTE is a lot more fun than that Oscar-winning Alfonso Cuarón flick. A whole lot more fun.
(read more)

POSSUM CARCASS

The love triangles of Anton Chekhov’s The Seagull return to wild-and-crazy 21st-century life in David Bucci’s Possum Carcass, the 120-year-old Chekhov classic retold as graphic novel … and the latest from the always intriguing Theatre Of NOTE.
(read more)

« Older Entries Newer Entries » « Older Entries Newer Entries »