Posts Tagged ‘Theatre 40’
SEPARATE TABLES
Friday, June 2nd, 2017Following their superb 2014 revival of Terence Rattigan’s WWII-era Flare Path, Theatre 40 returns to Rattigan territory with a less successful Separate Tables, the mid-twentieth-century English playwright’s pair of one-acts whose second half crosses the line from period piece to uncomfortably dated.
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APRIL, MAY, & JUNE
Saturday, April 8th, 2017April, May, & June may be more Lifetime Channel sitcom than Chekhov, but once the play gets past its expository-dialog crash course in four decades of family dysfunction, Gary Goldstein’s entertaining World Premiere look at three sisters so close in age they could almost be triplets yields its fair share of both laughter and emotional rewards.
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LATE COMPANY
Saturday, January 21st, 2017
Anti-gay bullying and its potentially fatal consequences are hardly topics you’d expect to see tackled by a theater company perhaps best known for seniors-friendly mystery/comedy fare, but these are precisely the issues that propel Canadian playwright Jordan Tannahill’s shattering family drama Late Company, now being given a compelling American Premiere at Beverly Hill’s Theatre 40.
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THE CONSUL, THE TRAMP, AND AMERICA’S SWEETHEART
Monday, November 28th, 2016
Here’s a fun fact for you. Hollywood routinely allowed Hitler’s Nazis to dictate movie content during the decade leading up to World War II, a bit of Tinseltown trivia at the heart of John Morogiello’s The Consul, The Tramp, And America’s Sweetheart, the engaging, enlightening latest from Theatre 40.
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PERFECT TIMING
Thursday, December 3rd, 2015
Audiences in search of a perfectly marvelous time at the theater could hardly make a more perfect choice than the latest from Theatre 40, Kristi Kane’s Perfect Timing, a play so perfectly delightful that you’d expect it had run a decade or more on London’s West End and not a mere six months in Van Nuys way back in the mid-80s before fading into unjust obscurity.
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DOUBLE DOOR
Tuesday, October 13th, 2015
No matter who your favorite TV soap villainess might be, she could learn a thing or two from the selfish, conniving, ruthless monster created way back in 1931 by Elizabeth McFadden for her suspense melodrama Double Door, now deliciously revived for a 21st-century audience at Beverly Hills’ Theatre 40.
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PATTERNS
Friday, August 14th, 2015RECOMMENDED
Topnotch lead performances and a “plus ça change” fascination make James Reach’s Patterns, the stage adaptation of a Rod Serling screenplay set in the dog-eat-dog world of 1950s American big business, worth a look-see at Beverly Hills’ Theatre 40 despite an overlong running time and a so-so supporting cast.
AMERICAN WEE-PIE
Tuesday, March 31st, 2015
Cupcakes offer a down-on-his-luck textbook editor a new lease on life in Lisa Dillman’s magical, whimsical American Wee-Pie, now getting its Los Angeles Premiere in one of my favorite Theatre 40 productions ever.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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