Posts Tagged ‘The Group Rep’

HEAD EAST

Theatergoers eager for an experience that feels both comfortingly familiar and excitingly new after a fifteen-month hiatus from live entertainment can now Head East (or Go West on alternate nights) for an evening of six short plays performed under NoHo skies in The Yard, the Group Rep’s newly constructed outdoor space next door to the membership company’s longtime home.
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IN MY MIND’S EYE

A visually impaired middle-schooler comes of age in The Group Rep’s 35th-anniversary revival of Doug Haverty’s engaging dramedy In My Mind’s Eye.
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THE MAN WHO CAME TO DINNER

When it comes to terrorizing an all-American family while scheming to get his own egomaniacal way, nobody did it better in the 1930s than radio superstar Sheridan Whiteside, just one reason why Golden-era Broadway fans won’t want to miss The Group Rep’s spiffy revival of Kaufman and Hart’s screwball comedy classic The Man Who Came To Dinner.
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AVENUE Q

The Group Rep treats audiences to a crowd-pleasing Avenue Q, the 2004 Robert Lopez-Jeff Marx-Jeff Whitty musical comedy smash that imagines what might happen if Jim Henson’s Muppets started singing songs and teaching life lessons about adult topics like sexual orientation, racism, and Internet porn.
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A CAROL CHRISTMAS

A bossy, workaholic fashion mogul makes major life changes thanks to a trio of late-night visitors in The Group Rep’s World Premiere holiday musical A Carol Christmas, a tuneful Charles Dickens-inspired crowd-pleaser that with some astute revisions could well end up a regional December delight.
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DIAL “M” FOR MURDER

The Group Rep starts the summer off with a stylishly directed, classily designed, mostly quite well-cast revival of Frederick Knott’s classic 1952 thriller Dial “M” For Murder.
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WITNESS FOR THE PROSECUTION

A couple of miscast lead roles undermine credibility throughout what would otherwise be a satisfactory production of Agatha Christie’s Witness For The Prosecution at The Group Rep.
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THE ARMADILLO NECKTIE

From the moment the lights go up on a mobile command center somewhere in the Iraqi desert where a hooded man finds himself strapped to a chair, a pair of jumper cables attached to his nuts by a military officer whose first words are “Whatsup, mothafucka?” you know you’re no longer at your grandparents’ Lonny Chapman Theatre as The Group Rep debuts Gus Krieger’s outrageously dark, outrageously foul-mouthed, outrageously funny The Armadillo Necktie.
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