Posts Tagged ‘Terrence McNally’
MASTER CLASS
Saturday, February 15th, 2025
Musical theater star Joan Almedilla delivers a tour-de-force performance as opera legend Maria Callas without even singing a note in Terrence McNally’s Master Class at Sierra Madre Playhouse.
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IT’S ONLY A PLAY
Tuesday, June 11th, 2024
Torrance Theatre Company closes its 2023-24 season with the most impeccably cast, directed, performed, and designed of the three productions I’ve seen of Terrence McNally’s backstage comedic gem It’s Only A Play.
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IT’S ONLY A PLAY
Monday, April 3rd, 2023
It’s theatrical heaven for Broadway buffs this month as Theatre 40 treats audiences to the venerable Beverly Hills company’s third surefire laugh-getter in a row, Terrence McNally’s It’s Only A Play.
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IT’S ONLY A PLAY
Sunday, January 19th, 2020If you love live theater and the people who make it, you will absolutely adore Morgan-Wixson Theatre’s delectable latest, and even if you don’t know Ben Brantley from Ben Franklin, you’ll have a smashingly good time at Terrence McNally’s It’s Only A Play.
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ANASTASIA
Wednesday, November 6th, 2019A Disney-style animated flick for the kiddies gets transformed into an epic romantic musical for grown-ups in Anastasia, now evoking oohs and aahs at the Segerstrom Center For The Arts for its gorgeous costumes and spectacular projection designs as well as abundant applause for its trio of thrilling lead performances, Lynn Ahrens and Stephen Flaherty’s lush musical score, and Peggy Hickey’s eclectic choreography.
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RAGTIME
Monday, July 8th, 2019Chance Theater reinvigorates the 1998 Broadway blockbuster Ragtime to thrilling effect, giving the musical flashback to early-20th-century America race-and-class relations fresh new 21-century relevance.
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CATCH ME IF YOU CAN
Monday, April 1st, 2019Teen con artist Frank Abagnale, Jr. is once again scamming his way across the country—but this time he’s doing it “Live In Living Color”—in Musical Theatre West’s pizzazzy spring offering Catch Me If You Can, the big-stage musical adaptation of Steven Spielberg’s popular 2002 biopic.
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