Posts Tagged ‘Stephen Sondheim’

COMPANY

The all-student talent of USC’s Musical Theatre Repertory rises to the many challenges of Stephen Sondheim and George Furth’s Company—and then some—in an intimate staging that stands out as one of the finest of the eighteen MTR productions I’ve reviewed over the past nine years.
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MERRILY WE ROLL ALONG

Broadway couldn’t do it any better than the breathtaking revival of Stephen Sondheim and George Furth’s Merrily We Roll Along now playing at Beverly Hills’ Wallis Annenberg Center For The Performing Arts, not unless they too could get recent Tony nominee Michael Arden on board to direct with the same originality and flair he brought to last season’s Spring Awakening or come up with a cast as spectacular as the one at the Wallis.
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GYPSY

RECOMMENDED

A weak first act, a considerably more successful second, and a terrific Tara Pitt throughout add up to a mixed bag of a Gypsy revival at Theatre Out, but one still worth checking out for Pitt’s powerhouse performance as (wonder of wonders) an age-appropriate Mama Rose.
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INTO THE WOODS

Cal State Fullerton’s musical theater majors once again prove themselves some of American’s Most Promising triple-threats in CSUF’s splendid big-stage revival of Stephen Sondheim and James Lapine’s Into The Woods.
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A LITTLE NIGHT MUSIC

In a 180-degree stylistic turn from last year’s Grease (USC’s most crowd-pleasing big-stage musical in years), the School Of Dramatic Arts revives Stephen Sondheim and Hugh Wheeler’s A Little Night Music so exquisitely that only its cast’s youth distinguishes it from the best of professional revivals.
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WEST SIDE STORY

The musical many consider the greatest in Broadway history gets a magnificent big-stage production, the kind most West Side Story lovers can only dream of, as Musical Theatre West debuts their 59th-anniversary revival of the Arthur Laurents-Leonard Bernstein-Stephen Sondheim-Jerome Robbins classic.
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DO I HEAR A WALTZ?

If ever there were an ideal show for Musical Theatre Guild to revive, it is Richard Rodgers, Stephen Sondheim, and Arthur Laurents’ Do I Hear A Waltz? Terrific songs. A book based on a successful play and movie. A couldn’t-be-more-romantic setting. Mixed reviews. Only 200 performances on Broadway. In short, a show you’re unlikely to see revived in any major sort of way any time soon.

Fortunately, thanks to MTG, L.A. audiences got treated to its many delights last night at Glendale’s historic Alex Theatre.
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COMPANY


Company’s dropped by Candlelight Pavilion to celebrate Bobby’s 35th birthday as Inland Valley Repertory Theatre debuts its marvelously performed midweek revival of Company, Stephen Sondheim and George Furth’s Tony-winning Best Musical of 1970.
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