Posts Tagged ‘South Coast Repertory’

RED

John Logan’s Red, winner of six 2010 Tonys (including Best Play), has at long last made its Orange County debut in a production so pitch-perfect, it’s hard to imagine even the original Broadway team doing it any better than it’s being done at South Coast Repertory.
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THE MADWOMAN IN THE VOLVO

RECOMMENDED

Solo queen Sandra Tsing Loh has arrived at South Coast Rep with a couple of guest actresses in tow for The Madwoman In The Volvo, an autobiographical look at menopause and infidelity more likely to appeal to female theatergoers forty-five and older than to those who don’t fit this specific demographic.
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ABUNDANCE

Imagine a big-screen Technicolor Western Epic told as if women had run the studios with a contemporary indie sensibility back in Hollywood’s Golden Era and you’ll get an idea of Beth Henley’s Abundance, the Crimes Of The Heart scribe’s look back at a quarter-century of Wyoming history in a play now celebrating its 25th-anniversary with a pitch-perfect South Coast Repertory revival.
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VIETGONE

A couple of Vietnamese evacuees fall in love in an Arkansas refugee camp circa 1975 in Qui Nguyen’s rap-fueled, manga-spiced, profanity-packed Vietgone, now getting an electrifyingly innovative and ultimately quite powerful World Premiere at South Coast Repertory.
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ONE MAN, TWO GUVNORS

The year’s most brilliant physical-comedy performance is but one of many reasons not to miss the West Coast Premiere of the West End/Broadway smash One Man, Two Guvnors, now inspiring more laughs per second than any play I can recall seeing at South Coast Repertory.
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PETER AND THE STARCATCHER

Imagination reigns supreme as South Coast Repertory presents Peter And The Starcatcher, fabulous news indeed for those who may have missed the play’s Broadway National Tour or for those like this reviewer who simply couldn’t resist a second chance to spend a couple of hours with Peter Pan in his pre-Neverland days.
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MR. WOLF

RECOMMENDED

Rajiv Joseph takes a provocative look at the human consequences of a despicable crime twelve years after its perpetration in his hit-and-miss World Premiere drama Mr. Wolf, a play I found powerful and affecting in its more realistic moments but frustrating and perplexing in its attempts at the poetic and profound. In either case, performances alone make it worth a look-see.
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OF GOOD STOCK

“Sisters. Sisters. There were never such devoted sisters,” warbles one of the three female siblings created by playwright Melissa Ross in her crowd-pleasing new comedy Of Good Stock, though considering the squabbling going on in their Cape Cod family home at this weekend’s summer family reunion, “devoted” might not be the first word that comes to mind when describing the oh-so dysfunctionally bound Jess, Amy, and Celia.
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