Posts Tagged ‘Scott Wittman’

HAIRSPRAY


Hairspray remains as fresh and fabulous at the ripe old age of 21 as it was when it made its Broadway debut back in 2002, and if you doubt my words, check out the spiffy National Tour now stopping at Hollywood’s Dolby Theatre.
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CHARLIE AND THE CHOCOLATE FACTORY

The Broadway National Tour of Charlie And The Chocolate Factory scores points for its colorful performances and sets (and for its singing-dancing Oompa Loompas), but audiences looking for characters they can care about, a plot that will maintain their interest, and songs they’ll want to hear more than once won’t find them at the Segerstrom Center For The Arts.
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HAIRSPRAY

Director Kari Hayter breathes such fresh new life into the Best Musical Tony-winning Hairspray that no matter how many times you’ve seen the 2003 Broadway smash, it will feel like your first.
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CATCH ME IF YOU CAN

Teen con artist Frank Abagnale, Jr. is once again scamming his way across the country—but this time he’s doing it “Live In Living Color”—in Musical Theatre West’s pizzazzy spring offering Catch Me If You Can, the big-stage musical adaptation of Steven Spielberg’s popular 2002 biopic.
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HAIRSPRAY

Laguna Playhouse transports audiences back to the ‘60s with its infectiously tuneful, delightfully entertaining summer staging of the Best Musical Tony-winning Hairspray.
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HAIRSPRAY

Hairspray is back in town, and just in time to provide an honest-to-goodness live alternative to NBC’s upcoming Hairspray Live. More importantly, thanks to some sparkling lead and featured performances, Cupcake Theater’s mid-sized revival proves a surefire crowd pleaser for audiences from nine to ninety.
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HAIRSPRAY

Chance Theater reinvents Hairspray—and brilliantly so—for an immersive, intimate, (almost) in-the-round revival unlike any I’ve seen before … and trust me, I’ve seen a bunch.
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CATCH ME IF YOU CAN

Actors Repertory Theatre Of Simi gives its audiences the best big-scale musical I’ve seen at the Simi Valley Cultural Arts Center in their sensationally entertaining mid-sized staging of Broadway’s 2011 Best Musical Tony nominee Catch Me If You Can, a production that requires no allowances to be made “for community theater.” This is topnotch work from start to finish, and a production any professional theater would be proud to call its own.
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