Posts Tagged ‘Samuel D. Hunter’

CLARKSTON


No one writes with more insight, depth, and compassion about ordinary lives in the American Northwest than prolific Idaho playwright Samuel D. Hunter, whose unique talents are once again on display in the West Coast Premiere of Clarkston, the latest Echo Theater Company spellbinder.
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A GREAT WILDERNESS


Idaho playwright Samuel D. Hunter tackles gay conversion therapy in his expectations-defying, cliché-free 2014 drama A Great Wilderness, the riveting latest from Rogue Machine Theatre.
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POCATELLO

Small lives matter in Pocatello, just as they do in all of Samuel D. Hunter’s “Idaho plays,” the latest of which now gets an impressive West Coast Premiere by the theater company that gave L.A. audiences Hunter’s equally memorable A Bright New Boise and A Permanent Image.
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A BRIGHT NEW BOISE

A man undergoing a crisis of faith attempts to reconnect with the teenage son he gave up for adoption eighteen years ago in Samuel D. Hunter’s dark, gritty tragicomedy A Bright New Boise, now getting an electric Orange County production at Chance Theater.
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A PERMANENT IMAGE

Thomas Wolfe to the contrary, you can go home again, though it takes a life-altering event for adult siblings Bo and Ally to set foot anywhere near their Idaho birthplace in A Permanent Image, Samuel D. Hunter’s 2011 journey into the dark heart of the American Northwest, now getting a superb West Coast Premiere at Rogue Machine Theatre.
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REST

Native Idahoan Samuel D. Hunter once again turns the lives of ordinary folk into world-class drama in his latest play, Rest, being given an all-around superb World Premiere production at South Coast Repertory under Martin Benson’s inspired direction.
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THE FEW


Samuel D. Hunter. Remember that name, because if the three Sam Hunter plays I’ve had the great good fortune to see over the past twelve months are any indication, this Idaho-born, New York-based playwright is one whose name you’ll be hearing for years to come. A Bright New Boise and The Whale have proven him “one to watch.” The Few (his latest, now getting the sensational World Premiere it deserves), further cements the young playwright’s place in contemporary American theater.
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