Posts Tagged ‘Playwrights’ Arena’

SOUTHERNMOST

A big-city transplant returns to the small Hawaiian town her parents still call home for a volcanic family reunion in Mary Lyon Kamitaki’s highly entertaining generation-gap/culture-clash dramedy Southernmost, the latest Playwrights’ Arena World Premiere.
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BABY EYES

Playwright Donald Jolly takes us back to 1950s Baltimore via Ancient Greece in Baby Eyes, a Playwrights’ Arena World Premiere that scores points for ambitious intentions if not for its campy mix of ancient myth, Greek tragedy, ’50s melodrama, and men in drag.
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I GO SOMEWHERE ELSE

An emotionally abusive childhood provides the backstory to the celebration of survival that is Inda Craig-Galván’s memory play I Go Somewhere Else, a playwrights’ Arena World Premiere as superbly acted as it is strikingly designed. If only it were easier to figure out who’s who and what’s what.
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TAR

L.A.’s fabled Bimini Hot Springs and Sanitarium (1903-1956) provide the backdrop for Tom Jacobson’s The Ballad of Bimini Baths trilogy, the prolific Angelino playwright’s most ambitious project to date, and if the Playwrights’ Arena World Premiere Tar is any indication of what Plunge and Mexican Day hold in store, audiences are in for an exhilarating, elucidating three-part treat.
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LITTLE WOMEN [a multicultural transposition]

If Meg, Jo, Beth, and Amy March had come of age in post-WWII L.A. as the Mayeda sisters, offspring of a Japanese-American father and a Chinese-American mother, Louisa Mae Alcott’s classic novel might look and sound just like Little Women [a multicultural transposition], Velina Hasu Houston’s unabashedly G-rated World Premiere rewrite that had me in its spell from ebullient start to heartwarming finish.
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BILLY BOY

An unexpected sexual encounter with a former high school girlfriend sends a 60ish gay man and a pair of long-dead ghosts on a trip down memory lane in Nick Salamone’s Billy Boy, a Playwrights Arena World Premiere that starts out promisingly enough before veering off into the Twilight Zone.
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BLOODLETTING

A Filipino-American brother and sister’s pilgrimage to their recently deceased father’s birthplace takes a supernatural turn in Boni B. Alvarez’s Bloodletting, a Playwrights’ Arena World Premiere that could appeal to fans of the occult who don’t mind spending seventy-five minutes with a couple of rather obnoxious siblings.
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THE END TIMES

A university student raised in a religious cult finds himself beginning to doubt his lifelong beliefs in Jesse Mu-En Shao’s World Premiere drama The End Times, an engrossing, thought-provoking first collaboration between Skylight Theatre Company and Playwrights’ Arena.
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