Posts Tagged ‘Open Fist Theatre Company’

THE BAUHAUS PROJECT: BAUHAUS WEIMER

Over the past two decades, Tom Jacobson has established himself as one of L.A.’s most adventurous and original playwrights, creating such risk-taking winners as Bunbury, Ouroboros, The Twentieth Century Way, and his extraordinary Bimini Baths Trilogy. I can’t, unfortunately, add Bauhaus Weimer, Part One of his World Premiere triptych The Bauhaus Project, to that list.
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A FROGGY BECOMES


If you’ve ever been twelve years old, you’ll get an extra special kick out of Becky Wahlstrom’s wild and wacky and way-out-there coming-of-age comedy A Froggy Becomes, now getting the most exhilarating of World Premiere stagings at Open Fist Theatre.
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BLOOD AT THE ROOT


Headline-making real-life events propel Dominique Morisseau’s hot-button Blood At The Root, an Open Fist Theatre Company Los Angeles Premiere given electrifying theatricality by director Michael A. Shepperd, choreographer Yusuf Nasir, and a cast of gifted young up-and-comers.
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STARMITES


Starmites might possibly be the least remembered Best Musical Tony nominee of the 1980s, but there’s nothing in the least bit forgettable about Open Fist Theatre Company’s irresistibly entertaining intimate revival of the 1989 Broadway gem.
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ANATOMY OF GRAY


An offbeat stranger’s sudden arrival via tornado smack dab in the middle of “the most boring place in the world” sets in motion a series of events destined to transform the lives of a plucky Midwest teen and her fellow Indiana townsfolk in Jim Leonard’s Anatomy of Gray, the simply marvelous latest from Open Fist Theatre Company.
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TO THE BONE


Pay no mind to its frustratingly cryptic and even off-putting title. Catherine Butterfield’s alternately sidesplitting/heartstrings-tugging To The Bone is not only one of the year’s best new plays, like David Lindsay-Abaire’s similarly set Good People, the Open Fist Theatre Company World Premiere will keep you guessing—and keep surprising you—from its hilarious start to its unexpected, laughter-through-tears finish.
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A MIDSUMMER NIGHT’S DREAM


Director James Fowler and Open Fist Theatre Company discover astonishing new depth and meaning in a centuries-old classic by transposing William Shakespeare’s A Midsummer Night’s Dream from ancient Greece to the Antebellum South.
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IN THE NEXT ROOM (or the vibrator play)


Open Fist Theatre Company scores another hit with Sarah Ruhl,s In The Next Room (or the vibrator play), the sparklingly provocative, unexpectedly touching 2010 Best Play Tony nominee that gave the award-winning playwright her first Broadway credit.
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