Posts Tagged ‘Moving Arts’
MY WHITE HUSBAND
Monday, May 27th, 2024Despite a promising setup, Leviticus Jelks’s My White Husband turns out to be an awkward mix of 1950s sitcom spoofery, marital discord dramatics, sex comedy raunch, network TV politics, and Black Lives Matter activism.
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RESET
Tuesday, November 7th, 2023Described in press materials as a “sci-fi morality play,” Howard Ho’s Reset, the latest Moving Arts World Premiere, features an intriguing premise, a promising opening sequence, and a particularly appealing lead performance.
Unfortunately, things go downhill, way downhill, once a character known as “Old Man” shows up.
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JACK CRADDOCK IS HAVING A PARTY
Saturday, May 13th, 2023
Actor Harrison Harvey proves himself an accomplished first-time playwright with Jack Craddock Is Having A Party, an incisive, insightful look at three Millennials and a Zoomer, ninety real-time minutes that start out bright and breezy, then gradually darken as lies get exposed and secrets revealed.
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@PLAYAZ
Sunday, November 14th, 2021
A trio of adult gamers face post-lockdown challenges in Dana Schwartz’s engaging World Premiere comedy @Playaz, a play so of-the-moment it seems incredible that the 2019 O’Neill Finalist was originally written pre-Covid.
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EARLY BIRDS
Tuesday, August 20th, 2019
Night-and-day-different 70somethings bond aboard ship in Dana Schwartz’s Early Birds, a World Premiere comedy as entertaining and charming as it is predictable, and nothing wrong with that.
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APPLE SEASON
Tuesday, July 23rd, 2019
Childhood abuse survivors return to the Oregon farm they once called home in E.M. Lewis’s compact dramatic gem Apple Season, a National New Play Network Rolling World Premiere now riveting audiences at Atwater Village Theatre.
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BLISS (or Emily Post is Dead!)
Tuesday, November 13th, 2018Clementine, Maddy, and Antonia are women on the verge of a nervous breakdown in North Orange, New Jersey circa 1960 in Jami Brandli’s BLISS (or Emily Post is Dead!). That they’re also Clytemnestra, Medea, and Antigone reincarnated is one reason Brandli’s take on mid-20th-century suburbia works considerably less well than it would if she had stuck to satire. The other is the play’s two-and-a-half-hour running time.
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THE KILL-OR-DIES
Sunday, January 3rd, 2016
Ovation Award-winning playwright Meghan Brown is back with the intriguingly titled The Kill-Or-Dies, a darkly comedic edge-of-your-seat thriller that will keep you guessing from its first surprise twist all the way up to its gratifyingly unpredictable finish.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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