Posts Tagged ‘Matrix Theatre’

THE BEAUTIFUL PEOPLE


Tim Venable’s hot-button-issue World Premiere two-hander The Beautiful People will have you thinking and talking about the gut-punching latest from Rogue Machine long after the stage has gone dark at Melrose’s Matrix Theatre.
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ON THE OTHER HAND WE’RE HAPPY


On The Other Hand We’re Happy, Daf James’ insightful look at a British couple’s efforts to adopt, not only marks an exciting return for Rogue Machine, it’s a perfect example of a story best told, not as a movie or miniseries, but on a nearly bare stage with just three remarkable actors bringing at least twice as many characters to vivid life.
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AUGUST WILSON’S TWO TRAINS RUNNING

August Wilson’s Pulitzer Prize-nominated Two Trains Running arrives at the Matrix just in time for Black History Month in as powerfully staged and performed a production as any theatergoer, regardless of color, could possibly wish for.
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WHEN JAZZ HAD THE BLUES

He was the love of Lena Horne’s life. He ghostwrote and/or arranged many of Duke Ellington’s Greatest Hits. He lived an openly gay life three full decades before Stonewall. He was Billy Strayhorn, and if the name doesn’t ring a bell, playwright Carole Eglash-Kosoff aims to rectify that with her elucidating, engrossing, enormously entertaining World Premiere musical drama When Jazz Had The Blues.
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RUBEN GUTHRIE

Giving up the bottle in a country where the rate of alcoholism is among the highest in the developed world is no laughing matter, that is unless you’re playwright Brendan Cowell, whose year of self-imposed sobriety inspired the thoroughly entertaining dark dramatic comedy Ruben Guthrie, the second half of the rotating-rep double-bill that marks the welcome return of Los Angeles’s Australian Theatre Company.
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SPEAKING IN TONGUES

The secrets we hide from those we love, the lies we tell to protect both them and ourselves, and the truths that can only be revealed to strangers lie at the heart of Andrew Bovell’s extraordinary Speaking In Tongues, the first half of the rotating-rep double-bill that marks the welcome return of Los Angeles’s Australian Theatre Company.
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THE MOUNTAINTOP

A sexy young maid’s late-night visit to a preacher’s Memphis motel room provokes unexpected consequences in Katori Hall’s The Mountaintop. That the preacher in question is Dr. Martin Luther King on the last night of his life is just one reason audiences should be lining up to catch the Olivier Award Winning Best New Play of 2009’s long-awaited Los Angeles Premiere at the Matrix.
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SERRANO THE MUSICAL

SoCal’s major regional houses can eat their hearts out they didn’t get first dibs on the World Premiere of Serrano The Musical, while L.A. musical theater aficionados can rejoice that this sensational contemporary adaptation of Cyrano de Bergerac told Goodfellas style is making its debut in the up-close-and-personal intimacy of the Matrix on Melrose.
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