Posts Tagged ‘Matrix Theatre’

A GOOD GUY


Playwright David Rambo tackles the hot-button topic of school shootings from the point of view of a teacher who takes matters into her own hands in A Good Guy, a gripping, suspenseful, surprise twist-packed Rogue Machine World Premiere.
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H*TLER’S TASTERS


Playwright Michelle Kholos Brooks finds laughter even in the darkest of situations in her provocatively titled, fact-based H*tler’s Tasters, the latest uber-intimate “Upstairs at the Matrix” Rogue Machine hit.
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MONSTERS OF THE AMERICAN CINEMA


What starts out a sitcom-style two-hander about a precocious teen being reared by his late father’s gay black husband ends up something far darker and deeper and more powerful in Christian St. Croix’s Monsters Of The American Cinema, the latest in a string of world-class Rogue Machine winners.
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THE DEATH OF ME YET


Life-threatening illness and human mortality aren’t usually the stuff of comedy, but expect to laugh your socks off at solo-show whiz David Dean Bottrell’s The Death Of Me Yet, now paying a five-performance-only visit to Rogue Machine’s Matrix Theatre.
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LINES IN THE DUST


Pulitzer Prize-nominated playwright Nikkole Salter examines inequities in public education in her powerful, thought-provoking, thoroughly engrossing Lines In The Dust, a memorable debut collaboration between Collaborative Artists Bloc and Support Black Theatre at the Matrix.
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BABY FOOT


Two addicts, one on her way out of rehab after 90 days sober, the other on his way in with a frighteningly drug-free 90-day challenge ahead of him, meet to electrifying effect in Baby Foot, Tim Venable’s gut-punchingly powerful, unexpectedly laugh-getting follow-up to last year’s stunning The Beautiful People at Rogue Machine Theatre.
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COME GET MAGGIE

Rogue Machine Theatre’s World Premiere 1950s sci-fi spoof Come Get Maggie has almost everything a new original musical ought to have. It’s funny, it’s quirky, it’s clever, and it’s terrifically performed. What it lacks is an infectiously hummable score.
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LITTLE THEATRE


Justin Tanner’s ’90s-nostalgia-filled autobiographical gem Little Theatre once again showcases the prolific playwright’s gift for out-of-left-field laughs, especially when delivered by a couldn’t-be-better trio of Rogue Machine stars.
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