Posts Tagged ‘Los Angeles Theater Review’

DISNEY THE LITTLE MERMAID

Under the sea is the place to be this weekend and next as Musical Theatre West delights audiences of all ages with a swimmingly performed, gorgeous-to-look-at Disney The Little Mermaid.
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THE SPITFIRE GRILL

Cast members doubling as the band add a fresh, innovative twist to Garry Marshall Theatre’s captivating revival of the 2001 off-Broadway musical hit The Spitfire Grill.
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THREADS

Love … and the fragility of life … tie together Jeff Locker’s serio-comedic Threads, an evening of theatrical shorts that doubles as the 2019 Summer Showcase for seventeen talented professional actors studying at Anthony Meindl’s Actor Workshop.
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THE PLAY THAT GOES WRONG

So nonstop hilarious is the latest National Tour playing a visit to the Ahmanson, The Play That Goes Wrong just might hold the laugh-a-minute record for a West End-to-Broadway comedy smash.
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THE WEDDING SINGER

Having recently spoofed the ’60s with Little Shop Of Horrors, Santa Monica’s Morgan-Wixson Theatre now treats audiences to the adroitly concocted blend of music, comedy, and 1980s nostalgia that is Chad Beguelin, Tim Herlihy, and Matthew Sklar’s The Wedding Singer.
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GOOD BOYS

An explicit sex tape involving a prep school jock and a young woman decidedly not his girlfriend sets off a chain of events that will forever change the lives of one entitled Washington DC family in Roberto Aguirre-Sacasa’s suspenseful, provocative Good Boys, now riveting audiences at Pasadena Playhouse.
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LOOT

Director Bart DeLorenzo and a mostly English cast get bad-boy Brit Joe Orton abso-bloomin’-lutely right in Loot, the provocative, hilarious latest from Odyssey Theatre Ensemble.
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THE PRODUCERS

Leave it to Celebration Theatre to take a musical as mammoth as The Producers and scale it down to fit the LGBTQ company’s 47-seat Hollywood digs without losing an iota of its audience appeal. Indeed, the show still officially billed as “A New Mel Brooks Musical” may be even more exciting at Celebration in 2019 than when it made its 2001 Broadway debut.
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