Posts Tagged ‘Los Angeles Theater Review’

DO YOU FEEL ANGER?

Mara Nelson–Greenberg takes #metoo rage to absurdist extremes in Circle X Theatre Company’s Do You Feel Anger?, a West Coast Premiere that starts out a major laugh getter (and stays that way for most of its ninety-minute running time), but ends up a major bummer the moment Nelson–Greenberg’s anti-male message gets sledgehammered in in the play’s suddenly surreal final scene.
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MR. YUNIOSHI


Asian-American actor J. Elijah Cho turns the tables on the dubious Golden Era Hollywood practice of casting Caucasian actors as “Orientals” in the bitingly hilarious Mr. Yunioshi, Cho’s thought-provoking look back at the 1930s/40s movie star now perhaps best known for playing Audrey Hepburn’s angry Japanese landlord in Breakfast At Tiffany’s.
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TWELVE O’CLOCK TALES WITH AVA GARDNER


Alessandra Assaf delivers a spellbinding solo turn as one of the most glamorous screen goddesses in Hollywood history in Twelve O’clock Tales with Ava Gardner, now playing Sunday matinees at the Whitefire Theatre in Sherman Oaks.
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GREASE


McCoy Rigby Entertainment pulls out all the stops to serve up a couldn’t-be-better Grease at the La Mirada Theatre For The Performing Arts, astutely cast, adroitly directed, arrestingly designed, and entertaining as all get-out.
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ANATOMY OF GRAY


An offbeat stranger’s sudden arrival via tornado smack dab in the middle of “the most boring place in the world” sets in motion a series of events destined to transform the lives of a plucky Midwest teen and her fellow Indiana townsfolk in Jim Leonard’s Anatomy of Gray, the simply marvelous latest from Open Fist Theatre Company.
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BROTHERS PLAY


Traumatic childhood memories haunt a trio of 40something male siblings on a fateful Christmas Eve in Brothers Play, Matthew Doherty’s darkly comedic walloper now getting a spectacularly acted, directed, and designed World Premiere production at Legacy LA.
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HOME FRONT


An interracial couple fall in love on VJ Day 1945 only to find their post-WWII hopes and dreams dashed by the discovery that, as the French so aptly put it, “Plus ça change, plus c’est la même chose,” in the Victory Theatre Center West Coast Premiere of Warren Leight’s eye-opening, emotion-packed Home Front.
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PROMISES, PROMISES

A pair of thoroughly winning romantic leads brighten The Group Rep’s 99-seat revival of the 1968 Neil Simon-Burt Bacharach-Hal David Broadway hit musical Promises, Promises, though an instance of historically incompatible gender reassignment does the production no favors.
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