Posts Tagged ‘Los Angeles Theater Review’

AIN’T MISBEHAVIN’


The “joint is jumpin’” like “nobody’s bizness” at the Nate Holden Performing Arts Center now that Ain’t Misbehavin’ has set up shop there to gift L.A. audiences with a bona fide entertainment bonanza.
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ASCENT


Henry Ong pays long overdue tribute to Qian Xuese, aka the “Father of Chinese Rocketry,” in Ascent, the much-missed playwright’s look back at not just one of the ugliest pages in American history but one with unmistakable parallels to today’s United States, brought to stunning life at the Skylight Theatre by director-dramaturg Diana Wyenn.
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BRIGADOON


Alan J. Lerner and Frederick Loewe’s Brigadoon gets a long overdue makeover at the Pasadena Playhouse, one that updates Lerner’s creaky book while not changing a note of the musical theater classic’ gorgeous score, and the result is the most glorious of revivals.
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ANTIGONE


Playwright Kenneth Cavander dusts the cobwebs off Sophocles’ Antigone in his contemporary adaptation of the 2500-year-old Greek tragedy … and the result is yet another Antaeus Theatre Company winner.

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LITTLE SHOP OF HORRORS


I’ve attended a whopping sixteen productions of the iconic horror comedy rock musical Little Shop Of Horrors, but seeing it “dancified” at the Lineage Performing Arts Center made me feel I was experiencing the off-Broadway camp classic for the very first time.
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EXIT THE KING

Unless you are a huge fan of existentialist theater, you’ll probably find A Noise Within’s revival of Eugene Ionesco’s absurdist comedy Exit The King a very long hour and forty-five minutes.
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THE SOUND OF MUSIC


The ultimate family musical is back in Los Angeles and filling the Hollywood Hills-adjacent Pantages Theatre with The Sound Of Music as the 1959 Broadway classic pays L.A. a three-week visit under the inspired direction of three-time Tony winner (and bona fide National Treasure) Jack O’Brien.
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WARSAW

Not everything works in Paul Webb’s Warsaw, but by the time it reaches its cathartic climax, there’s no denying the power the International City Theatre World Premiere achieves in juxtaposing WWII Poland and New York City in the weeks following 9-11.

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