Posts Tagged ‘Los Angeles Theater Review’
ROBBIN, FROM THE HOOD
Sunday, October 27th, 2024
Robbin, from the Hood, goes head-to-head with a multibillion-dollar conglomerate in Marlow Wyatt’s invigorating follow-up to 2023’s Best-of-the-Year Scenie-winning SHE.
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CAROLE COOK DIED FOR MY SINS
Friday, October 25th, 2024A sumptuous production design and a theatrical venue in L.A.’s hip Los Feliz district help distinguish Mason McCulley’s Carole Cook Died For My Sins from the slew of autobiographical solo performances on stage each summer at the Hollywood Fringe Festival.
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SOMEONE LIKE ME / IN WHOSE EYES?
Tuesday, October 22nd, 2024Art Of Acting Studio debuts two very different World Premiere one-acts, Richard Gustin’s Someone Like Me and George Kappaz’s In Whose Eyes?, and in the case of the former, you’ll be seeing a quite different play than the one reviewed here.
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AUGUST WILSON’S THE PIANO LESSON
Monday, October 21st, 2024
To sell or not to sell. That is the question at the heart of the Pulitzer Prize-winning August Wilson’s The Piano Lesson, an October gift from A Noise Within to the playwright’s many fans, and even for those like this reviewer who’d prefer it if Wilson’s Pittsburgh Cycle decalogy didn’t run a hefty three hours each, this is easily one of his most entertaining and powerful works.
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THE IMPORTANCE OF BEING EARNEST
Sunday, October 20th, 2024
Inspired direction, pitch-perfect performances, and a gorgeous production design combine to make Antaeus Theatre Company’s 2024 season opener about as perfect a The Importance Of Being Earnest as any Oscar Wilde lover could wish for.
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GUYS AND DOLLS
Friday, October 18th, 2024
Damon Runyon’s picturesque band of New York denizens continue to delight audiences almost seventy-five years after their Broadway debut in Altadena Music Theatre’s lively outdoor revival of the 1950 Broadway classic Guys And Dolls.
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KIMBERLY AKIMBO
Thursday, October 17th, 2024
It only took me only seconds to fall madly in love with Kimberly Akimbo at the Pantages. No wonder then that David Lindsay-Abaire and Jeanine Tesori’s tuneful, touching adaptation of the former’s outrageously funny, deeply moving play of the same name won five 2023 Tonys including the big one, Best Musical.
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I, DANIEL BLAKE
Wednesday, October 16th, 2024Brilliant performances and dazzling production design aside, Dave Johns’ unrelentingly bleak stage adaptation of I, Daniel Blake, Ken Loach’s Kafkaesque 2016 film about a good man living a British bureaucratic nightmare is the most depressing 90 minutes I’ve spent in a theater in a very long time.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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