Posts Tagged ‘Los Angeles Theater Review’

MEASURE STILL FOR MEASURE


Rehearsals for Shakespeare’s Measure For Measure have life imitating art in Jessica Kubzansky’s Measure Still For Measure, a sensational Boston Court World Premiere that takes backstage drama to a whole new level.
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THE RIGHT IS OURS

Tuneful songs and terrific performances do their utmost to overcome a by-the-numbers book and workshop-level production values in the Sierra Madre Playhouse World Premiere of The Right Is Ours, aka The Suffragette Musical.
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ALADDIN


A guaranteed entertainment bonanza for audiences of all ages, Disney’s Aladdin is not only late summer’s most all-around entertaining theatrical extravaganza, it may well be the most gorgeous-too-look-at production ever to light up the Pantages Theatre stage.
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THE SOUND INSIDE


Amy Brenneman delivers a bravura performance opposite gifted newcomer Anders Keith in Adam Rapp’s unnerving, electrifying The Sound Inside, a phenomenal season opener for the Tony-winning Pasadena Playhouse.
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BLOOD AT THE ROOT


Headline-making real-life events propel Dominique Morisseau’s hot-button Blood At The Root, an Open Fist Theatre Company Los Angeles Premiere given electrifying theatricality by director Michael A. Shepperd, choreographer Yusuf Nasir, and a cast of gifted young up-and-comers.
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WALKING IN SPACE


Four young adult siblings confront their drug-addicted mother to shattering effect in Walking In Space, Gary Michael Kruger’s powerful, fact-based follow-up to his Best-of-2016 winner A Thorn In The Family Paw.
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THE BLUEST EYE

Performances are uniformly topnotch and the A Noise Within season opener is imaginatively directed and stylishly designed. I only wish I had enjoyed Lydia R. Diamond’s undoubtedly faithful stage adaptation of Toni Morrison’s downer of a novel The Bluest Eye even half as much as the Grade A treatment it’s been given.
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KILL SHELTER: THE BLUE CAST


Not only is Ashley Rose Wellman’s Kill Shelter one of the most remarkable new plays I’ve seen in a very long time, it’s the best Theatre of NOTE production I’ve reviewed since the company’s streak of winners in the mid-2010s.
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