Posts Tagged ‘Los Angeles Theater Review’
SHREK THE MUSICAL
Monday, July 22nd, 2013
3-D Theatricals follows its phenomenal revival of Jason Robert Brown’s deep, dark, fact-based Parade with its polar opposite, the bright, breezy, and entirely fanciful Shrek The Musical, in its own way every bit as triumphant as its extraordinary predecessor.
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PACK UP THE MOON
Tuesday, July 16th, 2013NOT RECOMMENDED
A gay couple still dealing with the sudden crib death of their adopted child decide a year later to become parents again—this time through surrogacy. Could there be a more current, hot-button topic for a world premiere play?
If only Christina Cigala’s Pack Up The Moon lived up to that promise.
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SUNSET BOULEVARD
Monday, July 15th, 2013
Let me put it simply. Musical Theatre West’s revival of Andrew Lloyd Webber’s Sunset Boulevard is the theatrical event of the Summer Of 2013—bar none.
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NINE
Saturday, July 13th, 2013
DOMA Theatre Company follows its smash 99-seat revival of Dreamgirls with another dreamgirl-packed Tony-winning musical, a mostly quite successful downsizing of the big-stage Broadway hit Nine.
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FATHERS AT A GAME
Friday, July 12th, 2013
A pair of night-and-day different dads cheering on their teenage sons at a high school football game would seem more likely to inspire an odd-couple comedy à la Richard Dresser’s hilarious Rounding Third than an electrifyingly edge-of-your-seat thriller, but this is precisely what Trey Nichols has concocted in his one-act Fathers At A Game, now completing a brief Best Of Fringe extension following its original Hollywood Fringe run.
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WATSON AND THE DARK ART OF HARRY HOUDINI
Tuesday, July 9th, 2013
What do you do when you’re writer-director Jaime Robledo and your play Watson: The Last Great Tale Of The Legendary Sherlock Holmes has won just about every award in the book? Elementary, my dear reader. You do what Sir Arthur Conan Doyle did after creating his mystery-solving supersleuth in A Study In Scarlet (and what Universal Pictures kept doing year after year for their own inimitable Sherlock, Basil Rathbone). You write and direct a sequel, in this case Watson And The Dark Art Of Harry Houdini, and if the results don’t match the original in sheer brilliance, Watson 2.0 does for the most part avoid the dreaded sophomore curse.
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SWEET KARMA
Saturday, July 6th, 2013
He was a 35-year-old physician when the Khmer Rouge took control of Cambodia, and barely escaped the holocaust that took the lives of more than a quarter of his countrymen. He was a refugee-turned-movie actor, winning an Oscar for his film—and acting—debut as real-life Cambodian journalist Dith Pran. He was a humanitarian who worked to rebuild his shattered country. And after surviving the killing fields, he met his death in the streets of Los Angeles, murdered by members of a predominantly Cambodian street gang.
This was the life—and death—of Dr. Haing S. Ngor, explored by playwright Henry Ong in the powerful Sweet Karma, now getting an exquisitely designed, imaginatively directed, and beautifully acted West Coast Premiere at the Grove Theatre Center.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.


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