Posts Tagged ‘Los Angeles Theater Review’

RED

Following its six 2010 Tony wins (including Best Play), John Logan’s Red now gets its very first from-the-ground-up Los Angeles-area staging at Long Beach’s International City Theatre, and what a splendid production ICT has mounted under the astute, nuanced direction of its Artistic Director caryn desai.

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RAPTURE, BLISTER, BURN


Pulitzer Prize-nominated playwright Gina Gionfriddo examines the changing roles of women from the pre-Betty Friedan 1950s to the post-post-Feminist now in Rapture, Blister, Burn—and if this sounds like a potentially dry (i.e. boring) way to spend a night at the theater, think again. I haven’t had a more exhilarating time with four fabulous women and one not-so-fabulous man in I don’t know how long.
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A BRIGHT ROOM CALLED DAY


Director Jeremy Lelliott works wonders with Tony Kushner’s A Bright Room Called Day, turning a play that in other hands might seem stuffy or talky or dated into an exciting, utterly relevant evening of theater.
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eve2

NOT RECOMMENDED

Playwright Susan Rubin experiments with the surreal in eve2, an avant-garde one-act that left me scratching my head in bewilderment.
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THE KITCHEN WITCHES


A pair of lifelong best enemies catfight it out on the set of a community access cable TV cooking show in Caroline Smith’s entertaining if minor comedy The Kitchen Witches, now playing at San Pedro’s Little Fish Theatre.
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THE LITTLE DOG LAUGHED

RECOMMENDED
Terrific performances and an outrageously funny script add up to some very good reasons to catch Underdog Theatre Company’s production of Douglas Carter Beane’s The Little Dog Laughed despite minuses in design and staging.
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THE SOUND OF MOTOWN


The hits of the Motor City reign Supreme in beautiful downtown Claremont as a dozen Wonder-fully talented young performers bring The Sound Of Motown to Candlelight Pavilion, entertaining audiences of all ages with over 4 dozen hits that are each and every one of them absolutely, positively Tops.
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EAT THE RUNT


A dozen actors take turns playing all eight roles in Eat The Run, Avery Crozier’s uniquely addictive black comedy, now back for a return visit to Hollywood’s Theatre Of NOTE, and to paraphrase a classic TV commercial, “Bet you can’t see it just once.”
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