Posts Tagged ‘Los Angeles Theater Review’

A MIDSUMMER NIGHT’S DREAM

No set, no frills, the original script cut by more than half, and abundant imagination and flair add up to quite possibly the shortest and without a doubt one of the most entertaining Midsummer Night’s Dreams in the four-hundred-twenty or so years since those foolish mortals first ventured into the woods, sixty-five minutes of madcap Midsummer 2014 magic courtesy of Zombie Joe’s Underground Theatre Group.
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OSWALD, THE ACTUAL INTERROGATION

Playwright Dennis Richard turns audience members into flies on the walls of the Dallas Police Station interrogation room where Lee Harvey Oswald parried question after question with the aplomb of a professional liar in the two days following the assassination of John F. Kennedy in Richard’s fascinating docudrama Oswald, The Actual Interrogation, now playing at San Pedro’s Little Fish Theatre.
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6 RMS RIV VU

One of theatergoing’s greatest pleasures is the discovery of “forgotten gems,” plays that may have hit it big when they debuted but for one reason or another have faded into obscurity in the intervening years. Such is the case with Bob Randall’s 1972 romantic comedy 6 Rms Riv Vu, now getting a sparkling Sierra Madre Playhouse revival under Sherrie Lofton’s pitch-perfect direction.
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LEAR

A Queen with three sons, two of them ungrateful jerks wed to a pair of domineering Duchesses. An Earl with two daughters, one of them illegitimate and a conniver to boot. Meet Shakespeare Through The Looking Glass as Will Geer’s Theatricum Botanicum debuts its uniquely intriguing, exquisitely acted, gender-bending take on Shakespeare’s King Lear, retitled simply Lear, directed by and starring Ellen Geer as Queen Lear and Melora Marshall as her Fool.
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TIME STANDS STILL

RECOMMENDED

A wounded photo-journalist’s return home from the war zone proves even more challenging than a life lived on the edge in Donald Margulies’ intelligent, perceptive, often funny, always compelling Time Stands Still, now being given a mostly satisfying production at San Pedro’s Little Fish Theatre under Patrick Vest’s solid direction.
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reasons to be pretty

Even a single word can wound, particularly if the word you just happen to use to describe your girlfriend’s looks is “regular,” or so 20something Greg will learn to his eternal chagrin in Neil LaBute’s laceratingly funny reasons to be pretty, now getting a pitch-perfect Geffen Playhouse premiere under artistic director Randall Arney’s astute direction.
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ONE IN THE CHAMBER

Playwright Marja-Lewis Ryan focuses an up-close-and-personal lens on the epidemic of gun violence plaguing our country in her World Premiere drama One In The Chamber, one of the most powerful new plays I’ve seen in a good long while, and as superbly acted a production as any writer/director could possibly wish for.
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SMOKEY JOE’S CAFÉ

Want to hear “Kansas City,” “Yakety Yak,” “Love Potion No. 9,” “On Broadway” and a few dozen other 1950s rock and pop hits as performed by an all-around splendid young cast and enjoy a yummy dinner to boot? Then head on over to Claremont for dinner and a show as Candlelight Pavilion revives the longest-running musical revue in Broadway history, Smokey Joe’s Café, featuring forty of the greatest hits of rock-and-roll songwriting legends Jerry Leiber and Mike Stoller.
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