Posts Tagged ‘Los Angeles Theater Review’

YOU’RE A GOOD MAN, CHARLIE BROWN

Lucy and Linus and Schroeder and Sally and Snoopy and the Good Man himself are alive and well and singing and dancing and reawakening memory after memory after memory as Sustaining Sound Theatre Company and Chromolume Theatre present their family-pleasing intimate revival of You’re A Good Man, Charlie Brown.
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THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE

A bunch of up-and-coming musical theater performers have joined forces as Yutopian Entertainment to do what up-and-coming musical theater performers do best—put on a show (in this case William Finn and Rachel Sheinkin’s The 25th Annual Putnam County Spelling Bee), and the show they have put on ends up easily rivaling the best of the now dozen Spelling Bees I’ve attended so far.
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MELISSA ARCTIC

Magic is being made at North Hollywood’s Road Theatre, and not just the slight-of-hand illusions in Alby Selznick’s much-extended Smoke And Mirrors at the Road-on-Lankershim. Magic of the purely theatrical sort lights up the stage of The Road’s spiffy new Magnolia space with the West Coast Premiere of Craig Wright’s Melissa Arctic, as enchanted (and enchanting) a production as any theater lover could possibly wish for.

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SCARY MUSICAL The Musical

RECOMMENDED

Stellar performances and a laugh-packed book are the best reasons to catch Richard Hochberg and Michael Paternosto’s SCARY MUSICAL The Musical. What’s still missing are the kind of catchy, hummable tunes that would take the creative duo’s deliciously campy send-up of Psycho, Carrie, Halloween, and other assorted scream-fests beyond its current NoHo Arts Center World Premiere run.
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CHOIR BOY

A gay African-American prep school student comes of age in the Geffen Playhouse West Coast Premiere of Tarell Alvin McCraney’s play-with-music Choir Boy, exquisitely performed by an all-around superb cast and impeccably helmed by its original New York/Atlanta director.
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THE GOAT, OR WHO IS SYLVIA?

A different kind of Love That Dare Not Speak Its Name speaks its name in Edward Albee’s Tony Award-winning Best Play Of 2002, The Goat, Or Who Is Sylvia?, the latest from the theater and director who revived Ira Levin’s Deathtrap to brilliant, controversial life a couple years back—and that’s about all I have to say about the team’s latest production before launching into a spoiler-filled second paragraph. Proceed with caution.
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THE WHY

Comedy might be the last approach you’d expect a playwright to take in response to the Columbine High School massacre of April 20, 1999, but leave it to an audacious teenager to pen The Why, the darkest, funniest, most button-pushing and thought-provoking play you may ever see about gun violence.
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BRONIES: THE MUSICAL

The charming musical-in-the-rough that was Bronies: The Musical at this past summer’s Hollywood Fringe Festival has since been polished into the sparklingly rainbow-hued gem now getting its official World Premiere Production at the Third Street Theatre. Simply put, Bronies: The Musical is the feel-best show in town.
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