Posts Tagged ‘Los Angeles Theater Review’

FIGARO

The very first West Coast staging of a 2012 World Premiere may not be what folks expect from A Noise Within given the company’s usual slate of Shakespeare, Shaw, Racine, Moliere, and other long-deceased playwrights, but that is precisely what California’s Home For The Classics now offers its audiences in Charles Moray’s Figaro, the frothiest, funniest, most farcical romp I’ve yet seen at ANW.
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MINE EYES HATH SEEN

Theatre Banshee commemorates the sesquicentennial of end of the bloodiest war in our nation’s history in their tenth-anniversary revival of Mine Eyes Hath Seen, Sean Branney and Leslie Baldwin’s theatrical montage of Civil War tales told “in their own words,” and powerfully so, under Branney’s imaginative direction.
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GREASE

You know from the great-big boy-band/girl-group/cast-of-thirty title-song production number that opens USC’s revival of the Broadway/Hollywood smash Grease that you’re in for something out of the ordinary, and here’s the even better news. USC’s big-stage production turns out to be by far the most exciting of the eight Grease revivals I’ve seen.
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AMERICAN WEE-PIE

Cupcakes offer a down-on-his-luck textbook editor a new lease on life in Lisa Dillman’s magical, whimsical American Wee-Pie, now getting its Los Angeles Premiere in one of my favorite Theatre 40 productions ever.
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A DOG’S HOUSE

The webs we weave when first we practice to deceive don’t get any more tangled than the latticework of lies one couple tells another in Micah Schraft’s A Dog’s House, the latest IAMA Theatre Company World Premiere, and every bit the hilariously edgy, high-impact experience IAMA has been offering L.A. audiences for the past eight years.
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JULIUS CAESAR

When staging Shakespeare for a contemporary audience who’s seen each of the Bard’s plays a gazillion times, it all comes down to acting, design, and execution, and A Noise Within scores three for three in their Spring 2015 season production of Julius Caesar.
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CLASS

What starts out a bright and breezy odd-couple romcom turns into something considerably richer and more rewarding as the Falcon Theatre presents the West Coast Premiere of Charles Evered’s Class.
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TREVOR

Laurie Metcalf and Jimmi Simpson are a mother and son unlike any you’ve ever seen on stage, on screen, or in real life for that matter, in the West Coast Premiere of Nick Jones’ Trevor, the stellar duo delivering extraordinary performances in a play you’ll be telling friends, acquaintances, and maybe even complete strangers to put at the top of their must-see list.
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