Posts Tagged ‘Los Angeles Theater Review’

GUS’S FASHIONS & SHOES

Plays don’t get much more testosterone-fueled than Gus’s Fashions & Shoes, the grittily dramatic, darkly comedic latest from writer-director Ron Klier, whose Cops And Friends Of Cops kept Vs. Theatre audiences glued to the edge of their seats two years back.
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CIRCUS UGLY

NOT RECOMMENDED

Some plays are so unexpectedly marvelous and/or so deeply thought-provoking that you can’t stop talking about them long after the house lights have gone back up. Gabriel Rivas Gomez’s Circus Ugly, the latest from Playwrights’ Arena, is likely to inspire almost as much post-performance conversation as those, but for a different reason. Yes, several of its performers manage to impress and so does a topnotch production design, but not even a lukewarm recommendation is possible for a play that still has me scratching my head and wondering, “WTF was that?!”
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A FUNNY THING HAPPENED ON THE WAY TO THE FORUM

The theater company whose recent reinvention of Kander & Ebb’s Cabaret for the intimate stage earned it both critical and audience raves now returns with a “downsized” staging of the Stephen Sondheim classic A Funny Thing Happened On The Way To The Forum, and the result is one of the funniest—and most ingenious—Forums ever.
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ABIGAIL/1702


When last we saw her in Arthur Miller’s The Crucible, teen temptress Abigail Williams was about to flee Salem, Massachusetts and its infamous witch trials, leaving in her wake twenty hanged (or otherwise executed) victims of her venomous, vile, trumped-up accusations.

Playwright Roberto Aguirre-Sacasa now imagines Abby’s life ten years later, and fascinatingly so, in Abigail/1702, a play and production no Crucible lover will want to miss, and the latest from Long Beach’s International City Theatre.
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I AND YOU

When was the last time you saw a contemporary teen dramedy that not only featured a pair of complex, non-stereotypical characters but added something to the genre and in its final moments left you breathless?

Lauren Gunderson’s I And You is that play, at once funny, captivating, and profoundly moving, a powerful piece of theater now getting its Los Angeles Premiere in a production highlighted by Jennifer Finch’s and Matthew Hancock’s star-making performances under Robin Larsen’s inspired direction.
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BOY GETS GIRL

NOT RECOMMENDED

Terrific performances by a thoroughly engaging Ivy Khan and a riveting if miscast Jim Martyka highlight Theatre Unleashed’s ill-advised fifteenth-anniversary revival of Rebecca Gilman’s Boy Gets Girl, one which leaves this reviewer wondering how Gilman’s pseudo-thriller ended up named Time Magazine’s #1 Play Of The Year.
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MY BARKING DOG

RECOMMENDED

Performances are outstanding and the production design sensational, the director is Michael Michetti (need I say more?), and the ideas put forth are provocative, but an overreliance on monologs proves off-putting in the West Coast Premiere of Eric Cable’s two-hander My Barking Dog, the latest from The Theatre @ Boston Court.
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THE ANARCHIST


Felicity Huffman and Rebecca Pidgeon square off in the cat-and-mouse game that is David Mamet’s provocative yet abstruse The Anarchist, the duo’s superb performances and bona fide star power, the intimacy of Theatre Row’s Theatre Asylum, and ticket prices about a quarter of what they were when Mamet’s latest premiered on Broadway combining to make this 99-seat-plan production a likely candidate for hottest ticket in town.
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