Posts Tagged ‘Los Angeles Theater Review’

AMERICAN IDIOT

DOMA Theatre Company returns for its second sensational show of the year with a head-bangingly thrilling intimate staging of Green Day’s American Idiot.
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MARY POPPINS

Forget practically perfect. Only someone as nitpicking as Mary Poppins herself could find nits to pick with the Disney and Cameron Mackintosh Broadway smash as produced to utter perfection by La Mirada Theatre For The Performing Arts and McCoy Rigby Entertainment.
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THE IDIOT BOX

If you could live your life in sitcom land and just forget about war, poverty, homelessness, and the complexities of human sexuality, would you?

Playwright Michael Elyanow poses this question in his very funny, very smart The Idiot Box, back for only its second L.A. production ever, and a highly entertaining one at that as staged by Theatre 68 at the NoHo Arts Center.
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THE HOUSE OF YES

Siblings don’t get any more twincestuous than Anthony and Jackie-O Pascal, the brother-sister protagonists of Wendy MacLeod’s delectably dark The House Of Yes, back for a terrifically acted 25th-anniversary revival at the Zephyr on Melrose.
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SPRING AWAKENING

Deaf West’s smash revisal of the Broadway musical hit Spring Awakening has transferred from its Fall 2014 run in the heart of Skid Row to glamorous Beverly Hills, one of the most noteworthy success stories of Los Angeles’s endangered 99-Seat Theatre Plan … and mark my words. You won’t see direction more brilliant nor a cast more gifted nor a production more awe-inspiring than the one now playing at the Wallis Annenberg Center For The Performing Arts.
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ENTROPY

It cost Warner Brothers a hundred million dollars to make Gravity. It’s probably cost Theatre Of NOTE one or two ten-thousandths of that to stage Entropy, and believe me, the latest from NOTE is a lot more fun than that Oscar-winning Alfonso Cuarón flick. A whole lot more fun.
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ENRON

Enron, once the most audacious of America’s Fortune 500 high-rollers, comes to life (and death) with thrilling theatrical audacity as The Production Company returns to L.A.’s 99-seat theater scene with the Los Angeles Premiere of Lucy Prebble’s 2009 West End smash Enron.
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THE WOODSMAN

Playwright Steven Fechter puts a human face on that most reviled of sex offenders, the convicted child molester, in The Woodsman, the powerful latest from Coeurage Theatre Company and a production sure to generate both thought and discussion long after curtain-call applause has died.
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