Posts Tagged ‘Los Angeles Theater Review’
CAFÉ SOCIETY
Monday, August 24th, 2015
Zaniness reigns supreme in Peter Lefcourt’s screwball Café Society, now getting a terrifically performed, imaginatively directed, cleverly designed World Premiere at West L.A.’s Odyssey Theatre, the ever so “Westside” laughfest marred only by a jarring 11th-hour tonal shift that bears rethinking.
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FENCES
Sunday, August 23rd, 2015
International City Theatre revives August Wilson’s Pulitzer Prize/Tony Award-winning Fences to stunning effect in a production sure to win universal acclaim for its director, its two extraordinary stars, its equally stellar supporting cast, and indeed everyone involved in this most powerful of stagings.
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IN THE HEIGHTS
Monday, August 17th, 2015
Candlelight Pavilion tops everything it’s done over the past year—and that includes Evita, The Producers, Spamalot, and last month’s Joseph And The Amazing Technicolor Dreamcoat—with a sensational mid-summer staging of Lin-Manuel Miranda and Quiara Alegría Hudes’s In The Heights.
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LUKA’S ROOM
Saturday, August 15th, 2015
Leave it to Rob Mersola, the playwright who gave audiences Backseats & Bathroom Stalls and Dirty Filthy Love Story, to subvert the teenage coming-of-age tale in the most outrageously unexpected of ways in Luka’s Room, the latest Rogue Machine World Premiere and sure to be one of this summer’s most buzzed-about productions.
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PATTERNS
Friday, August 14th, 2015RECOMMENDED
Topnotch lead performances and a “plus ça change” fascination make James Reach’s Patterns, the stage adaptation of a Rod Serling screenplay set in the dog-eat-dog world of 1950s American big business, worth a look-see at Beverly Hills’ Theatre 40 despite an overlong running time and a so-so supporting cast.
GREEN GROW THE LILACS
Sunday, August 9th, 2015
Theatricum Botanicum revives a Golden-Era theatrical gem in a production worth a whole heap of whoopin’ and hollerin’ … but before I go ahead and name it, here’s a question for all you theater lovers out there.
GHOST LIGHT
Thursday, August 6th, 2015NOT RECOMMENDED
Deborah Puette is luminous, but the four vignettes that comprise Tommy Smith’s Ghost Light add up to a rather low-wattage half-hour solo show.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.


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